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As you can see in this round-up, AKG headphones are a popular choice for studio users the world over and with good reason. But while the other two sets of phones here concentrate on sonic detail, the K72s are attempting to bring you the AKG quality at a bargain price. Also with a premium braided cable and a daisy chain feature to allow two sets to listen together from one Player. An iconic studio and location-recording favourite, Sennheiser HD 25’s have long been acclaimed by pros for their ability to handle high sound pressure levels and deliver excellent sound reproduction evenly across the frequency spectrum.
Even just connecting your headphones to your phone can be difficult – you're in close proximity to lots of other Bluetooth devices, and just finding your headphones in your phone's settings can be impossible. In-ear monitors (aka IEM’s) are usually reserved for on-stage monitoring environments, unless they’re extremely high quality, in which case they can also be suitable for use in a studio setting. Understanding frequency responseWhile the technology is certainly improving, right now we’d suggest relying on wired listening in the studio. That said, an increasing number of headphones now let you have the best of both, with options for both wired and wireless operation, which could be a great option if you’re looking for a pair to use both in the studio and on the go. How we test budget studio headphones Specs include a wide frequency range of 15Hz to 28kHz – and the phones adhere to the AKG Reference Response Curve, a measure of performance over frequency gained from AKG’s tests on hundreds of listeners over many years of testing; basically this means you get both accuracy and detail. The bass response, for example, is controlled and tight and you will be able to distinguish which parts of your mix, if any, are clashing down under. It’s the same story across the rest of the range which is flat and accurate with the kind of joined-up thinking you get from much more expensive phones.
We also test how good the isolation is. For mixing you might prefer less intrusion from the outside world so you can focus on the main elements in your music, so isolation is a key factor. The weight and comfort of the phones is also an important consideration, as you'll likely be wearing them for long sessions in the studio (although we obviously recommend taking regular breaks). Most of the time, the lighter the better but how the headphones embrace your head is important. Too loose is obviously not good, but too tight can mean too hot. Just like monitoring through 'proper' studio monitor speakers, you want to hear an accurate representation of your music while using studio headphones. Many hi-fi headphones, used for listening to music, are coloured to emphasise the bass and treble regions, just to make for a nicer listening experience. This means they aren't suitable for mixing music as they are already emphasising specific frequency ranges – not telling you the whole truth, if you like!Of all the models in Sennheiser’s extensive range, these evergreen studio-centric cans stand out as a mid-priced favourite thanks to their long pedigree, rugged durability and balanced sound. The bass is clean and accurate, mids clear and detailed, with glossy highs that avoid any harshness.
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