Jim Dunlop MXR Analog Chorus, Blue

Product Information

The Way Huge Smalls Blue Hippo Analog Chorus features a chorus section designed by Jeorge Tripps. This is Tripps’ take on the iconic blue-boxed chorus, best known for its liquidy ’80s textures and juicy, whirling Leslie approximations. The Walrus Audio Julia V2 analog chorus/vibrato pedal features updated artwork from designer Adam Forster as well as controls that extend far beyond the typical rate and depth. The Ibanez Chorus Mini is smaller than most other options featured here and is known for its deep dimensional sound. When set at the proper rate and depth settings, the Chorus Mini is capable of approximating the sound of a well-recorded Leslie speaker. Nowadays, most choruses are digital, which carries with it the usual tradeoff of increased flexibility at the expense of often more clinical tones. However, this isn't a given; not only are some digital effects rich and warm, but others emulate vintage units for a specific tone, like the Strymon Deco's tape machine modeling. The MXR M234 Analog Chorus features a five-control layout with Low and High EQ controls, Level, Rate, and Depth for maximum flexibility.

A few years ago BOSS launched a premium line of redesigned guitar effects under the label Waza, which means art and technique in Japanese. Waza Craft pedals are aimed to be idealized versions of the originals, offering the same sonic character but with less noise and a more consistent tone.The Series 2000 was a complete rework of the Reference and Commande lines of pedals. They were higher quality pedals, with electronic FET switching and dual LED indicators. They had a contoured, all-metal chassis and an easily removable battery. They had a fully rubberized bottom and were remote-controllable. Most of the pedals had dual outputs with distinctly different sounds. When cranked up with the depth and rate controls, this pedal is capable of producing a Leslie-type effect with ease. The BOSS effects in one. It features the sound of the CE-1 (a true standard setter for analog chorus stompboxes) and the CE-2. The CE-1 Chorus Ensemble was the first BOSS pedal, and its original sound is still sought after by some detail-oriented guitarists today, 40 years after it was released. The Depth switch controls the intensity level of the chorus effect with the higher option giving you significantly more pitch modulation, while the lower switch is more shallow and mellow.

Not sure about the differences between chorus, flanger, and phaser pedals? We’ve got you covered with Chorus vs Flanger vs Phaser: Breaking It Down!) What Are The 7 Best Analog Chorus Pedals? It features an analog LFO that goes between sine and triangle wave shapes, allowing you to dial in conservative or dramatic effects as you see fit.Unique LFO shape-warping features transform the modulation shape from a smooth sine to asymmetric waves Additionally, the Julia V2 features a fully continuous blend control that dials between dry, chorus, and vibrato sounds as well as true bypass switching that preserves your tone when the effect is switched off. In late 1981, MXR got the resale rights in the US to sell the KIT (M-178), a digital drum machine. In early 1983, MXR released the M-185 [1] MXR Drum Computer, similar to Roger Linn's Linn LM-1 drum machine with individual pads for the instrument sounds and individual volume controls for each sound.

In keeping with the trend towards mini pedals, the Chorus Mini features robust build quality, and low price. This pedal is ideal for users who like to save space. Features The real meat of the pedal lies in the Rate and Depth controls and they offer great range to go from subtle to extreme space effects. Therefore it requires more foresight than just adjusting the rate and depth controls to achieve your desired sound. It features a beautiful sound quality with a three-dimensional depth and full body.

The Electro-Harmonix Eddy Analog Vibrato and Chorus features a volume, LFO waveform shape, tone, envelope, modulation rate, and modulation depth knobs as well as a vibrato/chorus mini-toggle switch that selects either dedicated effect. Jim Dunlop acquired the MXR brand in 1987 and continues the pedal line of original MXR classics, such as the Phase 90 and Dyna Comp, as well as modern pedals like the Carbon Copy and Fullbore Metal. Dunlop has also added a line dedicated to bass effects boxes, MXR Bass Innovations, which has released the Bass Octave Deluxe and Bass Envelope Filter. Both pedals won Editor Awards in Bass Player Magazine and Platinum Awards from Guitar World Magazine. The MXR Custom Shop is responsible for recreations of vintage models such as the hand-wired Phase 45, as well as doing limited runs of pedals such as the Custom Comp.