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We started talking,” says Niya, “Then one day, in the middle of a deep conversation, she turned to me and said, ‘I like women’. The violet does not belong to the group in Burundi or - to the best of our knowledge - any other LGBT+ groups in East Africa or the Great Lakes.

It’s possible that that’s beginning to change, with contemporary movies like the K-Stew-led Christmas rom-com Happiest Season on the horizon, but for now, we might as well appreciate what we’ve got (or at least hate-watch it).After the birth of her youngest child, Nella says she began to feel like the most isolated woman in the world.

Tilly uses her signature husky voice to hide her cleverness behind a ditzy persona, and Gershon proves her acting mettle by rocking that motorcycle jacket as well as any true leather dyke. Fox, Jada Pinkett Smith, Queen Latifah, and Kimberly Elise as four friends who become bank robbers, each for their own reasons. Brought to life by the careful genius of Phyllis Nagy’s script, the supple glow of Ed Lachmann’s 16mm cinematography, and two of the most extraordinary performances ever committed to celluloid (which isn’t to sweep old Harge under the rug where he belongs), Haynes’ Carol is more than just a bone-deep melodrama about a mutual infatuation during a repressive time. Featuring an interracial romance across class lines, Maria Maggenti’s 1995 classic was years ahead of its time. There are only four characters in the film, all women: A painter, her elusive subject, her mother, and their maid.Based on a true story of a notorious 1950s New Zealand murder case, Jackson understood something only previously known to lesbians: The juicy narrative potential of teen lesbian obsession gone horribly awry. She has a chance at breaking free when she meets pink-haired cutie Lucy (Leisha Hailey), but gets pulled back in when Ellen’s boyfriend drama becomes dire. Though the film came out in 2011, it feels utterly timeless; the golden days of Laure’s summer could —and do —belong to anyone who recognizes themselves.