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UN drugs chief calls for introduction of drug testing to help curb substance abuse". unodc.org. Istanbul: United Nations Office on Drugs and Crime. 10 May 2007. Archived from the original on 17 December 2007 . Retrieved 17 August 2021. Characteristics edit Music edit The Roland TB-303 is a synthesizer featured in acid house music. The TR-909 is a drum machine used in techno, house and many other genres. Rave music is usually presented in a DJ set, using a mixer and turntables or CDJs. a b Weir, Erica (June 2000). "Raves: a review of the culture, the drugs and the prevention of harm" (PDF). CMAJ. Canadian Medical Association. 162 (13): 1843–1848. eISSN 1488-2329. ISSN 0820-3946. LCCN 87039047. PMC 1231377. PMID 10906922. S2CID 10853457. Archived (PDF) from the original on 28 June 2019 . Retrieved 17 August 2021. Drum and bass: Drum and bass music refers to a music genre with a very specific sound of four significant notes called breakbeat, that serves as a bassline for the song – that's why most drum and bass songs use 170 – 176 BPM, most frequently specifically 174 BPM. Drum and bass includes multiple large subgenres, those who are frequently played at raves include liquid (known for harmonic vocals, less aggressive bass drops and emotional atmosphere), classic dancefloor (energetic and overall positive party music, sometimes even drum and bass remixes of popular songs), jump-up (a less complicated beat, sometimes using machine-like sounds, amplified for consumers of heavier music) and neurofunk (almost sci-fi like subgenre of a heavy and dark drum and bass, only rarely using well-known samples or even traditional music melodies).
There’s something about young people on a dancefloor that’s not going to die. As long as new scenes are happening, and they absolutely are happening today, the music and the ethos of the time seems to seep into people’s lives in times anew,” says Hurley. Lin II, Rong-Gong; Ardalani, Sarah (30 June 2010). "Girl, 15, dies after weekend rave at L.A. Coliseum ". Los Angeles Times . Retrieved 3 September 2019.
Featuring local San Diego DJs Jon Bishop, Steve Pagan, Alien Tom, Jeff Skot, Jon-e Thin, Paolo, Merlyn, Gmaxim, Tony Fiore, Damon and Mark E. Quark performed at these events. The events used large props and themes. The fairy and pixie craze, with ravers getting fairy tattoos and wearing fairy wings to parties was associated with the region. The percussive group Crash Worship was active here. a b Helen Evans. "OUT OF SIGHT, OUT OF MIND: An Analysis of Rave culture" . Retrieved 25 October 2007. The term rave first came into use in late 50s Britain as a name for the wild bohemian parties of the time. Fischer, Marc; von Uslar, Moritz; Kracht, Christian; Roshani, Anuschka; Hüetlin, Thomas; Jardine, Anja (14 July 1996). "Der pure Sex. Nur besser" [The pure sex. Only better.]. Der Spiegel (in German) . Retrieved 21 May 2022. a b Degenhardt, Louisa; Copeland, Jan; Dillon, Paul (2005). "Recent trends in the use of "club drugs": an Australian review". Substance Use & Misuse. Taylor & Francis. 40 (9–10): 1241–1256. doi: 10.1081/JA-200066777. eISSN 1532-2491. ISSN 1082-6084. LCCN 2006268261. PMID 16048815. S2CID 25509945.
Anderson, Tammy L. (2009). "Understanding the Alteration and Decline of a Music Scene: Observations from Rave Culture". Sociological Forum. 24 (2): 309–311. doi: 10.1111/j.1573-7861.2009.01101.x. JSTOR 40210403. See also: Love Parade, Technoparade, Techno, Hardcore (electronic dance music), Happy hardcore, Gabber, and Electronic body music Ravers in a German techno club ( KW in Munich) in the 1990s Love Parade 1995 in BerlinElectro: Electro and techno are two genres which largely featured psychedelic sounds and are largely considered the earliest forms of electronic dance music genres to use the term "rave music" in respect to its modern terminological use. Techno sometimes crosses boundaries with house music, hence the genres trance and acid techno. Miami bass and crunk is sometimes included as "electro". While the 1990s are remembered, musically, as being dominated by Britpop, acid house and rave helped dissolve invisible markers of race and class. It united myriad, disparate groups through a passion for electronic music and dancing in open-minded, recreational spaces that weren’t dominated by alcohol and aggressive masculinity – rave is often credited as a key factor in the decline of football hooliganism. EDC Las Vegas 2013 Economic Impact". Archived from the original on 21 January 2015 . Retrieved 21 January 2015.
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