Nick Drake: The Life

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Drake’s third and final album Pink Moon is a bleak, minimal affair, seemingly wrenched from the depths of mental illness. As shown by the reactions of his family and contemporaries, it’s a reflection of his brilliance and the uncomfortably intimate nature of the material What followed was unexpected. “It was a much more intimate recording,” says Wood. Gone were the mournful strings and the jaunty brass and in their place was simplicity: just Drake and his guitar. “I think he wanted to make a very direct and personal record. I thought, after the first couple of songs, that we would probably augment it a bit. Not a lot, but I was expecting him to get Danny Thompson in maybe.” (Thompson is the double bass player who co-founded Pentangle.) “After the second number, I said something and he just replied, ‘No, that’s it. That’s all we’re doing.’ And that was it.” Fortunately, one of those which accepted the offer was the Koutoubia Palace, Tangier’s most exclusive nightspot, which is done up in the style of a Moorish palace. I couldn’t help feeling a little out of place, but all the same I played for about quarter of an hour. The reception was extraordinarily good and we all got stood rounds of drinks, which was rather pleasant.” I asked him what his influences were and he said Randy Newman and the Beach Boys’ … John Wood. Photograph: Courtesy: John Wood

Nick Drake by Richard Morton Jack review: a troubled genius Nick Drake by Richard Morton Jack review: a troubled genius

Drake is now ensconced in myth as a doomed poet whose life ended at 26 through an overdose of antidepressants. Previous biographies and documentaries have given thorough accounts of his life and work, including one in 2014 by his sister, Gabrielle Drake, the actor. The work of their mother, Molly Drake, has been folded into the story. Her son had grown up to the sound of Molly composing songs at the piano; there are resonances in their bodies of work. It was the same story with the next two; 1971's relatively upbeat Bryter Later and 1972's much starker Pink Moon. There was limited publicity and Drake’s eventual refusal to play live did not help. His last proper live performance ever was in 1970 and he played little more than 30 shows in his whole career. He simply didn't enjoy it. "There were only two or three concerts that felt right, and there was something wrong with all the others," he said in one of those two press interviews, in 1971 with Sounds magazine. He had champions in the celebrated producer Joe Boyd and in the Velvet Underground's John Cale, who had insisted on working with him, but it wasn't enough. Drake became seriously depressed and returned to live with his parents, telling his mother "I've failed in every single thing I've ever tried to do". He saw psychiatrists, spent five weeks in a psychiatric facility and was even treated with electroconvulsive therapy.Boyd had left Britain to take a job in America. Bereft of his guidance, Drake arranged with the engineer John Wood to record what would be his third and final album, the starkly beautiful Pink Moon, over just two sessions between 11pm and 2am. They were the only slots Wood could find, but Wood thought he would anyway get the best out of Drake when nobody else was there. “He wasn’t in good shape. He didn’t look healthy.” Like its predecessors, the album vanished leaving barely a trace.

Nick Drake story I want to complicate the Nick Drake story

After the VW advert, according to US music journalist Amanda Petrusich's 2007 book on Pink Moon, sales of the album "increased nearly 500% during the first 10 weeks of 2000, when Drake shifted more than 4,700 copies of Pink Moon, compared to 815 in the same period in 1999". The New York Times reported in 2001 that sales had jumped from about 6,000 copies a year to more than 74,000. I hope you can perhaps appreciate that the idea of having my music as a ‘vacation hobby’ for another year-and-a-half is not a particularly happy one. It seems that Cambridge can really only delay me from doing what at the moment I most need to do.” Does she think Rodney and Molly would mind her publishing their letters and diaries? “If they’re up there looking down, I hope they’re not too cross.” He was so congenitally mellow that hanging out with the Rolling Stones seemed normal to him Julian Lloyd Raby This book filled in lots of gaps although I now understand how many questions have remained unanswered. I liked the approach of the author in avoiding more myth building and attempting to recognise the human achievements of this exceptional musician. That may have upset some worshippers but I think it was a fair and balanced approach.The author interviewed 200 people from all areas of Drake’s life and was given access to his family's private papers. His research suggests that, contrary to what some believe, the musician was not a heroin addict; he was not gay; he had not been abused at school; and conflict with his father was not at the root of his problems. You believe that the problem of turning yourself from an amateur into a professional can be solved merely by transferring yourself from Cambridge to somewhere where you are surrounded by, and under the influence of, professionals in your chosen field. From what you say I take it that you must believe that it was the prospect of returning to Cambridge for eight-week periods during the year that prevented you, in the long summer vac, from getting into the swim, so to speak, and of starting to acquire the professionalism which you are rightly seeking. The last third of the book is difficult to read – through no fault of the author’s, but because Drake’s final months are chronicled almost day by painful day. There is no ending other than that foretold. Drake was musical from an early age, sporty as a school student, bright enough to study English literature at Cambridge but was troubled and subject to depression, got absorbed by his music, released three albums, withdrew from public performance after the third, Pink Moon (1972), retreated further into himself and died at 26 from an overdose of the antidepressant amitriptyline. Thus there is little of him on record, literally and metaphorically, beyond achingly poignant footage of him as a little by at the beach and photos as an adult, still beautiful.

Nick Drake: Why the mysterious British music icon who died Nick Drake: Why the mysterious British music icon who died

So it is that Drake has gone from relative obscurity during his lifetime to appearing on the cover of music magazines, being the subject of a Radio 2 documentary presented by Brad Pitt, and having his music appear in mainstream Hollywood movies such as A Beautiful Day in the Neighbourhood and hit TV shows such as Normal People. He's even had a beer named after one of his songs by a Californian craft brewery. But living alone in a barely furnished Hampstead bedsit – “like a cell, overlooking a neglected garden,” according to one visitor – he started slowly going to pieces, looking progressively more shabby, neglecting to wash his hair or clean his fingernails, passing his days playing the guitar, smoking joints, occasionally forraying out in search of a curry when he became hungry.

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He would be forgotten but for this tragically romantic biography, the simplicity and beauty of his music and the influence he had on songwriters and performers who discovered him after he died. Aug 07 - Tabs added for the "Far Leys" instrumental (appears on Family Tree as Sketch 1) and original guitar version of Made To Love Magic.