The Long Song: Shortlisted for the Man Booker Prize 2010: Shortlisted for the Booker Prize

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Levy’s handling of slavery is characteristically authentic, resonant and imaginative. She never sermonises. She doesn’t need to – the events and characters speak loud and clear for themselves… Slavery is a grim subject indeed, but the wonder of Levy’s writing is that she can confront such things and somehow derive deeply life-affirming entertainment from them.’ Dowell, Ben. "Hayley Atwell, Lenny Henry and Tamara Lawrance cast in new BBC period drama The Long Song". Radio Times. 13 July 2018. Writing 'The Long Song', her novel set on a 19th century Caribbean slave plantation, was, she says, 'the most terrifying thing to have to go into'. With the recent Windrush scandal and wider debates about the legacy of the slave trade in Britain, Levy’s work could not be more relevant. 'The Long Song' was published in 2010 and was shortlisted for the Booker Prize. But it was during the writing of this book that Andrea was diagnosed with the cancer that would, she knew, eventually kill her. Tamara Lawrance, Haley Atwell, & More to Star in BBC One's The Long Song". Broadway World. 13 July 2018.

White, Peter. "Hayley Atwell & Tamara Lawrance To Star In David Heyman’s BBC Drama The Long Song". Deadline Hollywood. 12 July 2018. The Long Song has an unusual format for a historical novel. Part memoir, part oral history, it is led by July, the narrator, who is detailing an account of her life on a Jamaican plantation, which is then filtered through her son, who is writing her account and experiences on her behalf. It is often non-linear and, at points, Levy deviates with interludes and interruptions, where the two discuss the presentation of the story. What did you think of this format - how did it serve your reading experience and your understanding of July’s experience? Why do you think Levy chose to write in this manner? Caroline is a white mistress at Amity and the plantation owner’s sister. She is responsible for taking July from the cotton fields (‘Look how cute the little one is’, she says before callously removing her from her mother). Caroline teaches July to read and write so she can help her run the business. She is deeply flawed and becomes unknowingly dependent on July. Slavery is a subject that has inspired some magnificent fiction (think of Toni Morrison's Beloved or Valerie Martin's Property), but I had some misgivings: might it not, in this case, make for over-serious writing, especially for a novelist as comically inclined as Levy? But she dares to write about her subject in an entertaining way without ever trivialising it and The Long Song reads with the sort of ebullient effortlessness that can only be won by hard work.The Guardian: ‘I started to realise what fiction could be. And I thought, wow! You can take on the world’ The book covers significant periods in history, including the 1831-1832 Baptist Wars and the 1838 abolition of slavery. Discuss the portrayal of resistance and rebellion in the novel across these periods and the impact on the characters and their quest for freedom. The Man Booker prize 2010 shortlist". The Guardian. 7 September 2010. ISSN 0261-3077 . Retrieved 7 July 2020. The Long Song is simultaneously the life-affirming story of one woman’s battle to survive in terrible circumstances, and a tribute to the legions of slaves who did more than suffer and die, but also managed to squeeze all they possibly could out of the bleakest of circumstances.’ Speaking on condition that the recording would only be released after her death, Andrea Levy gave an in-depth interview to oral historian Sarah O’Reilly for the British Library’s Authors’ Lives project in 2014. Drawing on this recording, along with comments from friends, family and collaborators, this programme explores Levy’s changing attitude towards her history and her heritage and how it is intimately bound up with her writing.

But she does permit herself to describe the symbolic funeral that marked the end of slavery on 31 July 1838, only then to admit that she was not actually present. She was still cooped up with her white mistress, Caroline Mortimer, owner of the sugar plantation. Beautiful and ambitious, she finds herself blindsided by love for the overseer Robert. She has an indomitable spirit of survival. We meet her at different stages: in childhood - as a baby, toddler, and seven year-old; as a young woman from 18 to 25 years old, and lastly as an older woman in her 60s.

Andrea Levy’s bittersweet novel about the last days of slavery in Jamaica is powerful and intimate - and full of mischievous surprise. Many of the characters in The Long Song subvert expectations. July is blunt, outspoken, and short-tempered. Others that work on the plantation often feign stupidity to the plantation owners - they place bed sheets onto dining tables while those who are accomplished musicians ruin dinner parties and embarrass their hosts. These characters are not simply reduced to their suffering. Discuss the point Levy is trying to make by developing such well-rounded and complex characters. The framing is Jamaican printer-publisher Thomas Kinsman’s attempt to persuade centenarian Miss July to tell her story for his book of slave narratives. Her participation is complicated by a reluctance to accept the term “slavery” and caginess about her personal and working lives, the script alert to present questions of who has the right to relate experience and to what purpose such stories are told.

The novel explores the complex dynamics between enslaved individuals and their captors. Despite the gulf between them, their lives run in parallel, tightly entwined. How does the novel depict power imbalances and the effects of oppression on both sides? With the story told through the prism of July’s memory, we are led to question how much of the story is accurate. At times she recalls events, despite not personally bearing witness to them. July is presenting a collective memory of events that happened to a group of people - she fills in gaps, embellishing tales while drawing on the experiences of others. Did you feel, or question, while reading, if there was any unreliable narration from July? Ultimately, does it matter? July is a mulatto, the daughter of Scottish overseer Tam Dewar, who raped Kitty, her slave mother. July enjoys giving us alternative accounts of her arrival in the world and Levy revels in storytelling itself, its sheer pliability. The memoir comes to its climax during the 10-day Baptist war in 1831 and the slave uprisings that followed. She makes you understand how chaotic and punitive this moment in history was, as well as liberating. Levy has researched the novel meticulously, but July has no desire to weigh herself down with any historical burden. Instead, she cheekily recommends that we do some homework ourselves but warns against a publication called Conflict and change. A view from the great house of slaves, slavery and the British Empire, observing: "… if you do read it and find your head nodding in agreement at this man's bluster, then away with you – for I no longer wish you as my reader." The Long Song is written as a memoir by an elderly Jamaican woman living in early 19th-century Jamaica during the final years of slavery and the transition to freedom that took place thereafter. It tells the tale of a young slave girl, July, who lives at Amity – a sugarcane plantation. She lived through the 1831 Baptist War, and then the beginning of freedom. Her mother, Kitty; the slaves working the plantation land; and the owner of the plantation, the white woman Caroline Mortimer, are other characters in the novel. [1] Themes [ edit ] As a child, Caroline Mortimer takes July away from the plantation fields and her mother, Kitty. She ‘adopts’ her, renaming her Marguerite, and using her as a housemaid. How does the relationship between July and Caroline evolve as the novel progresses? Is Kitty’s life now ‘better’ as a housemaid than as a slave working in the fields?It was the publication of the prize-winning Small Island in 2004 that propelled Andrea Levy to international acclaim. The novel told the story of Jamaican families like her own integrating into post-war Britain and drew directly from the experiences of her parents and their passage to the Mother Country. The success of 'Small Island' held deep personal significance for Andrea. Pictured:Kitty (Sharon Duncan-Brewster) and July (Tamara Lawrance) Tam Dewar, played by Gordon Brown

This vivid and disturbing version of The Long Song is further compensation for a flow of novels cruelly shortened. An additional sting in the tragedy of the death of Andrea Levy at the age of 62 was that an author whose work displays a rare combination of compelling narrative and historical urgency had time for only five novels. Fellow house slave to July at Amity, and patronised by July. She has her vengeance in episode three. John Howarth, played by Leo BillNotable Books of 2010". The New York Times. 24 November 2010. ISSN 0362-4331 . Retrieved 7 July 2020. Slavery is a grim subject indeed, but the wonder of Levy’s writing is that she can confront such things and somehow derive deeply life-affirming entertainment from them. July emerges as a defiant, charismatic, almost invincible woman who gives a unique voice to the voiceless, and for that she commands affection and admiration. Levy’s aim, she says, was to write a book that instilled pride in anyone with slave ancestors and The Long Song, though “its load may prove to be unsettling”, is surely that book.’ Kellaway, Kate (7 February 2010). "The Long Song by Andrea Levy". The Observer. London . Retrieved 12 March 2015. Master of Amity Plantation. A depressive, melancholic master, distant and disconnected from those around him, and unsentimental about the slaves he owns. He tends to be contemptuous to his fatuous younger sister Caroline. Godfrey, played by Lenny Henry