Wimberley Plamp II PP-200

Product Information

A plamp consists of a couple of large graspers with flexible tubing in between. You can shape the tubing so it's very convenient to be able to hold things in all sorts of different rotations and shapes. Have any friends who like to shoot macro too? If so, please share this review of the Wimberley Plamp II Macro Clamp with a friend or on your blog. The Wimberley Plamp is a very useful tool that always travels with me in the field. I use the Plamp to hold a subject like a flower while I photograph it, steady a subject in the wind, and even hold a card to shade my lens to eliminate flare. It works like a third hand.”

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I found out about this gem of an accessory at a macro boot camp and I'm glad I bought one. You'll find out that you can use it as an extremely valuable helper to use with your macro photography, but you can also use it in other creative ways too.Your problem is that you're too far from civilization. If you were in the Detroit area, you could pop into one of dozens of Grainger, McMaster Carr, or Production Tool locations to play with the Loc-Line, try before you buy. You can bend it in an infinite number of ways to fit it to the exact photographic situation you are in. There's also a version of it called the Wemberly Ground Plamp. Finally there is a way to stabilise those aggravating windblown subjects! The Plamp II is an easily positionable arm which can be used to hold macro subjects and other useful objects. One end of the Plamp clamps to your tripod while the other grasps the object. One day in the field with a Plamp (or two) and you will begin to realise its full potential. The Wimberley Plamp II is a must for any macro enthusiast. Here's something you can try if you like to get creative with your photographer's clamp. I got the idea from another photographer. Get two of these gadgets together and you can connect them to form a makeshift, adjustable mini-tripod to handle some really unique photography situations.

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Any review of the Wimberley Plamp should include its weaknesses too and I only know of two shortcomings. The first weakness is that the plamp is quite stiff when you first get one. This makes it challenging to make very minute changes in its exact position.If you need more reach (e.g. if you are using a 180mm or 200mm macro lens), you have three options. The first option is to attach the Plamp to an object other than your own tripod. The second option is to extend one of the legs of your tripod toward your subject and then attach the PLamp further down the leg of your tripod and thus closer to your subject. The third option is to extend the length of your Plamp by adding extra links to its arm. The trade-off to adding extra length to your Plamp is that it becomes less rigid. reflectors, which are generally held in a relatively vertical position and not fully cantilevered out, can be held and positioned confidently with a single Ground Plamp. Designed for full-frame sensors, this manual-focus optic offers a true-macro magnification ratio of 1:1 and a bright f/2.8 aperture. Available in all major camera mounts, the 100mm f/2.8 ED UMC Macro has a 15-element, 12-group construction that features high refractive and extra-low-dispersion elements for premium image quality at a price that won’t break the bank. With individually adjustable reflectors and a clip-on diffuser, this shoot-through ring flash allows you to take total control of the lighting in your macro images. It can be attached to the front of virtually any lens with one of the six filter thread adaptors that come in-box. This flash could also be used for portrait photography, where it gives subjects’ eyes distinctive and attractive donut-shaped catchlights. TTL-compatible and with a modelling light built in, this fully featured device can turn a great macro image into a stunning one. The segmented arm of your Plamp is approximately 19" long. If you do not need all this length, we encourage you to shorten your Plamp. To shorten the arm, bend the arm sharply until it snaps in two (do not worry, you will not hurt the Plamp), remove a length and reconnect the pieces.

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Plamp, a nice strong holding tool, made from Loc-line modular flexible arm material. The "spring clamp" jaws do a great job at attaching the thing to a tripod for use outside. Plamps are very useful to hold reflectors as well -- clamping a Plamp to the tripod is a good way of transporting it between potential subjects if you're using them for field macro. Plamp Plamp by adding extra links to its arm with one of the Plamp Extensions. The trade-off to adding extra length to yourThe plamp's large clamp can be attached to essentially anything that will fit in its jaws. This includes nearly every tripod on the market, tree branches, furniture, stakes driven into the ground, vegetation, etc. The Plamp is designed to attach to your own tripod but it is often handy to attach it to a second tripod so that you are free to move your tripod around without affecting the subject. I'm sure you can come up with your own creative uses for your plamp. these are just a few of the uses that have worked well for me. There are other options out there too. I bought the Wimberly Plamp II for two reasons. This is a review of the Wimberley Plamp II Macro Clamp. It's a rather curious looking camera accessory and you're probably wondering how in the world you would use one. Simply put, it's acts like you have a third hand available to do your photography. The aluminium Alta Pro 263T can safely support professional setups weighing up to 7kg, and extends to a top working height of 165cm, making it well-suited for landscape shooting as well as macro.