Beggars Banquet

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Despite its appeal, the song has at least one hater: Jagger himself. “I don’t really like it that much,” he admitted to Rolling Stone publisher Jann Wenner in 1995. “I’m not sure if it has any resonance for the present day.” Whether this was a fair assessment of its message, or if it even really fits on Banquet, Richards’ grinning two-chord riff is a language anyone can understand. Rolling Stone Greatest Albums of All Time 2003 List". Archived from the original on 6 July 2017 . Retrieved 1 October 2020. Beggars Banquet also marked the Stones’ first transitional period. The following year, Jones would be found dead in a swimming pool at 27. a b Lester, Paul (10 July 2007). "These albums need to go to rehab". The Guardian. London. Archived from the original on 10 January 2014 . Retrieved 21 July 2013.

As they weave through Lucifer’s narrative without ever mentioning his name (perhaps a little worried about being censored) Jagger takes us through the with a vocal that comes from the pits of Hell. It’s the kind of showing which can convert a non-Stones fan into getting a tongue tattoo. Brown, Phill (July 2000). "Phill Brown, Recording the Rolling Stones' Classic, Beggar's Banquet". tapeop.com. TapeOp. Archived from the original on 19 July 2016 . Retrieved 27 July 2016. Dimery, Robert, ed. (2011). 1001 Albums You Must Hear Before You Die. London: Cassell. ISBN 978-1-84403-699-8.

Notes

The beauty of the Stones was never their reverence, but their cheek at genre conventions. On “Factory Girl,” the Stones knew country and western so well that they weren’t afraid to play it with Eastern, West Indies, or any other kinds of instruments.

Walsh, Christopher (24 August 2002). "Super audio CDs: The Rolling Stones Remastered". Billboard. p.27. Swedishcharts.com – The Rolling Stones – Beggars Banquet". Hung Medien. Retrieved 22 December 2022. Richards is standing for the ham-and-eggers, Jagger is suspicious of the straight world. From there, “Salt of the Earth” begins to rip apart, as if holding two opposing truths in the same song. The two finish the song together as if they’re fighting for the microphone. Beggars Banquet received a highly favourable response from music critics, [26] [27] who considered it a return to form for the Stones. [28] [29] Author Stephen Davis writes of its impact: "[The album was] a sharp reflection of the convulsive psychic currents coursing through the Western world. Nothing else captured the youthful spirit of Europe in 1968 like Beggars Banquet." [27]Janovitz concludes, "Jagger may be poking fun a little, but he could not nail the parlance of the characters so precisely if he had not studied it closely as a fan of the music... In a sense, they have been musicologists, interpreting musical forms that were in danger of dying out. The raw quality of 'Dear Doctor' and the rest of the album was a welcoming sound to the ears of most Stones fans losing patience with their experimentation on Their Satanic Majesties Request." [1] Salt of the Earth" is also the title to a documentary on the Rolling Stones 2005-06 'A Bigger Bang' World Tour. [6] The breakup theme of “No Expectations” continues with “Dear Doctor”— albeit in a tongue-in-cheek setting. It begins with Jagger detailing his broken heart — not poetically, but literally, and so much so that it needs to be physically removed and preserved in a jar. Also in 2002 the Russian label CD-Maximum unofficially released the limited edition Beggars Banquet + 7 Bonus, which was also bootleged on a German counterfeit-DECCA label as Beggars Banquet (the Mono Beggars).

In a 1995 interview with Rolling Stone, Jagger said: “I think that was taken from an old idea of Baudelaire’s, I think, but I could be wrong.”

Turns out 'Beggars Banquet' actually could have been better

Glyn Johns, the album's recording engineer and a longtime collaborator of the band, said that Beggars Banquet signalled "the Rolling Stones' coming of age.... I think that the material was far better than anything they'd ever done before. The whole mood of the record was far stronger to me musically." [5] Producer Jimmy Miller described guitarist Keith Richards as "a real workhorse" while recording the album, mostly due to the infrequent presence of Brian Jones. When he did show up at the sessions, Jones behaved erratically due to his drug use and emotional problems. [5] Miller said that Jones would "show up occasionally when he was in the mood to play, and he could never really be relied on: Jagger and Richards performed it as a duet for the 2001 " The Concert for New York City", commemorating the fallen of September 11, 2001, although they changed the lyrics to make its message more positive (most notably "Let's drink to the good and the evil" was changed to "Let's drink to the good not the evil"). [3] a b "Beggars Banquet ranked 39th greatest album". Acclaimed Music. Archived from the original on 27 February 2021 . Retrieved 30 November 2020. Over a clattery, ominous samba rhythm, Jagger hands the mic to Satan on “Sympathy for the Devil.” It’d take on a second life both in cinema and myriad cover versions: it could be the only song championed by both Martin Scorsese and Axl Rose.

In August 2002, ABKCO Records reissued Beggars Banquet as a newly remastered LP and SACD/CD hybrid disk. [55] This release corrected a flaw in the original album by restoring each song to its proper, slightly faster speed. Due to an error in the mastering, Beggars Banquet was heard for over thirty years at a slower speed than it was recorded. This had the effect of altering not only the tempo of each song, but the song's key as well. These differences were subtle but important, and the remastered version is about 30 seconds shorter than the original release. Beviglia, Jim (2015). Counting Down the Rolling Stones: Their 100 Finest Songs. Rowman & Littlefield. p.137. ISBN 978-1442254473. Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time". Rolling Stone. 2012. Archived from the original on 23 September 2019 . Retrieved 23 September 2019. The song uses a quote that refers to a passage in the Bible where Jesus is trying to encourage people to give the best of themselvesPennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1sted.). Helsinki: Kustannusosakeyhtiö Otava. ISBN 978-951-1-21053-5. Quibbling aside, Jagger’s portrayal of the Morning Star as a rakish debonair still elicits grins; the lyrics about shooting the Kennedys and Christ’s agony in Gethsemane, gasps. a b Katz, Larry (16 August 2002). "Music; Stoned again; Band's early albums reissued in time for tour". Boston Herald. Scene section, p. S.21 . Retrieved 9 July 2013. (subscription required) a b c "100 Greatest Rolling Stones Songs - Salt of the Earth (1968)". Rolling Stone. October 5, 2013 . Retrieved January 28, 2020.