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Great pictures in a wide range of lighting conditions; Better pictures in low light; Sharper pictures with moving subjects; Extended flash range for better flash pictures; Reduced effect of "camera shake"; Better depth of focus capabilities This last summer my family and I embarked on an epic roadtrip that took us through Oklahoma. Pawhuska was a little out of the way, but we made sure to detour through it so that we could visit The Mercantile, the restaurant/coffee shop/bakery/gift store owned by Ree Drummond, who is also known as The Pioneer Woman. Portra 400’s versatility makes it the Kodak film that I’d recommend for every situation. Its wide exposure latitude makes it suitable for the brightest daylight scenes and the darkest low-light scenes, as well as in super high contrast situation. The wide exposure latitude also provides a lot of room for over- and under-exposure, making it a particularly good film for cameras with slow shutter speeds or slow lenses. Aside from the music and podcast, Rob is also a photographer. It started out as a hobby—simply another creative outlet—but has turned into something much more. His photographs have been printed in media globally and he’s regularly commissioned to photograph musicians. He often uses a Fujifilm camera loaded with a Film Simulation Recipe.
The grain’s sharpness is a separate concept from grain size. It refers to the amount of definition around the edges of the film particles. For example, slide films tend to have less grain sharpness, which makes them appear smoother when enlarged. However, sharp grain can make things like distant text appear more legible even if the granules are large.Is Kodak Ultramax as capable of making the stunning and vivid landscapes we see from Ektar and Provia? Possibly. Though not as fine-grained as those professional-level films, it’s certainly got enough resolving power to make sharp and smooth images. Would I use it for a paid commercial real-estate gig? Probably not. I’d use my Sony a7II or a medium format Hasselblad loaded with slide film. Lighting Conditions: If you will be shooting in low light conditions, you should choose Kodak Ultramax as it has an ISO speed of 400. If you will be shooting in well-lit situations, Kodak Gold with its ISO speed of 200 is a good choice. Rob Morgan is a curious person—that’s actually the title of his acclaimed podcast series—but who is Rob Morgan? I listened to several of his podcasts in preparation for this article (which is the fourth installment of my interview series). There’s a lot of value for the artist, no matter your medium or genre, in those recordings, and I found them helpful well beyond the scope of this interview. Give one a listen, perhaps Becoming Five Stars, You’re Delusional Until You’re Not, Nobody Wants to Listen to Your Music, The Mistake of Avoiding Mistakes, or How to Fake Extreme Talent—you’re sure to be hooked! As with just about every other aspect of photography, the appeal of a certain type of film is completely subjective.
So in 2010, Kodak Portra 400 NC and Kodak Portra VC 400 both ceased to exist as they merged together and became the simple, singular Kodak Portra 400 we have today. Colours. All Portra films reproduce colours in medium-low contrast relatively accurately. These films have some trouble with keeping greys neutral in the shadows — as is the case with most colour negatives — but can deliver remarkable results in most well-lit scenes. For greater colour accuracy, consider Kodak Ektachrome E100 . Portra films deal exceptionally well with well-lit skin tones. This means that Kodak Gold has lower light sensitivity and is better suited for well-lit situations, while Kodak Ultramax is better for lower light conditions. Additionally, Ultramax is known for its fine grain, high sharpness and vibrant colours, while Gold is known for its natural colour reproduction and good skin tones. So, if ever you find yourself hesitating about storing your film on a bright and sunny window sill or in a dark spot that is also conveniently cool and dry, just think… what would the Greeks do? Remember CDD!!
Hear it from the film experts!
High-Speed Versatility: With an impressive ISO 400 rating, Kodak TMax 400 empowers you to shoot in a wide range of lighting conditions without compromising on image quality. From low-light environments to bright daylight, this film ensures sharpness and detail in every frame. When you’re shooting your Portra 400, be aware that it’s one of the most forgiving films out there as far as exposure latitude goes. It’s supposed to deliver usable results at two stops over or two stops under, which means shooting anywhere between ISO 100 to 1600 without pulling or pushing. All that said, for a cheap 35mm film with a rating of 400 ASA, the grain in Ultramax 400 could certainly be a lot worse! Our experience has been mixed in this regard, but the general consensus seems to be: Kodak Ultramax 400 shot at box speed produces the best, most accurate colors. Is Kodak Ultramax as capable of making pretty pictures of people as Kodak’s well-loved Portra? It could be. In the right light, Ultramax certainly does an adequate impression of the famous portrait film when the sun is up and we meter properly. Would I trust a wedding shoot to Ultramax? Probably not. I’d be more likely to use a medium format camera loaded with Portra, and since Ultramax doesn’t come in medium format, well, that’s that.
Overall, Kodak Portra 400 film is a high-quality film that is perfect for photographers who want to capture beautiful, lifelike images with natural skin tones and excellent colour reproduction. With a wide range of exposures from bright light to low-light situations, you can create photos that are precisely how you want them. Portra 400 is an iconic 35mm film that captures the honesty of life's moments with beautiful results every time! Features: There are two different options for Kodak Ultramax - you can choose between a 36 exposure roll or a 24 exposure roll. The smaller roll is usually slightly cheaper, but the larger roll is usually more cost-efficient per photo - especially when you take into account the fixed development costs 2. What is the ISO of Kodak Ultramax 35mm film?
What is the difference between Kodak Gold and Ultramax
It has been the first choice for many top photographers over its lifespan - in fact when Kodak went through bankruptcy and restructuring in 2012 Don McCullin panic-bought 150 rolls of Kodak Tri-X in case it didn't survive the turmoil! Fortunately for Mr McCullin and every other photographer, Tri-X did survive and is still available fresh in both 35mm and 120 formats. Features: Wondering which film is the better choice for you – Kodak Ultramax or Gold? As two of the most popular colour 35mm films in the world, and cheaper than the premium Kodak emulsions of Portra or Ektar, many people ask us which they should shoot. This post takes a look at each film's features, benefits, and shortcomings so that you can make an informed decision for your creative film photography. With most people still processing their work in a darkroom, the inherent differences in colour and contrast in these films were a big help. The Kodak Ektar H35 manages to be good, fuss-free fun while also not quite being all that it promises. The idea of doubling your output from a roll of film is no doubt going to be tempting for a lot of analog photography lovers who are feeling pinched and pressured by the cost of living. And long as you accept (and ideally embrace) the compromises in quality that come with its format, the Kodak Ektar H35 does give you more for your money.
Color reversal film, also known as slide film, is different from color negative film in that it makes a positive image on a transparent base. These are used with slide projectors to project a brilliant image onto a screen, or in more modern times, can be scanned for digital use like any other film image. Their narrow exposure latitude and lower sensitivity make them best suited to controlled environments and professional use, but their incredible color reproduction and vibrancy can’t be beat by any other film type. This makes Kodak Gold a popular choice for portrait and landscape photography, while Kodak Ultramax is popular for outdoor and snapshot photography. Colour-balanced for smooth skin tones and natural hues, it delivers bright blues, greens and reds out of the box – perfect for all kinds of photography; from portraits to action scenes. Features: It doesn’t matter if your photographs are posed ones with models or candid ones with strangers. Having natural skin tones on people is equally welcome.Kodak makes quite a few impressive pro-level color-negative films. Let’s talk about those. Kodak Ektar 100 It’s Vericolor II that brings us to the Portra era, with the VPL one first being replaced by a short-lived Ektacolor Pro Gold 100T film in 1998. A year later, this was rebranded as Portra 100T, a film that was discontinued in 2006. Portra 400 appears to have a somewhat finer grain than Kodak Gold 200 . Although, it’s still chunkier than Portra 160 and Ektar. Personal Style: Consider the look you want to achieve in your photographs. If you prefer images with high contrast and vivid colors, Kodak Ultramax may be the better choice for you. If you prefer natural color reproduction and good skin tones, Kodak Gold may be the better choice. Exposure to heat can damage the emulsion on your film. The specifics of temperatures for different films are as follows…
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