Carols for Choirs 2: Fifty Carols for Christmas and Advent (Vocal score)

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parts are arranged on either the left stereo channel, or, in the case of your part, on the right stereo channel. a b "…for Choirs Collections". Choral Series. Oxford University Press. Archived from the original on 5 October 2016 . Retrieved 5 October 2016.

This definitive album of recordings showcases 28 original carols from the Carols for Choirs 6 anthology, all conducted by Bob Chilcott and produced and engineered by John Rutter. Featuring a wide variety of musical styles by composers from around the world, Carols for Choirs 6 brings together carols from both the emerging talents in choral music today, and world-famous choral composers, to provide a complete resource of contemporary carols for the festive season. This new anthology forms part of the iconic Carols for Choirs series and has been published in celebration of the Oxford University Press Music Department’s Centenary in 2023.

We've been awhile-a-wandering - Use 1st parts if you are singing in unison. Use 2nd parts if the accompaniment is to be sung or hummed. Carols for Choirs 1-3 and 100 Carols for Choirs are a special case in this series, in that 100 Carols for Choirs was made up of significant portions of Carols for Choirs 1-3 with additional works. Please note that this is strictly for practice, and you should not expect a particularly pleasant sound, and I own sound card and sound system on your computer. The accompaniment is spread evenly across both channels, but the

Archer, Malcolm; Scott, John, eds. (2004). Epiphany to All Saints for Choirs: Anthems for the Church's Seasons. Oxford: OUP. ISBN 978-0-19-353026-3. A series of Carol collections published by the Oxford University Press between 1961 and 2011, comprising: you set the balance to the right, you should hear your part dominating. Conversely, if you set the balance toBy the late 1950s, OUP was beginning to consider a revision to OBCto include the by-now enormously popular Christmas hymns, which of course were included in almost every hymn book going (including OUP’s own English Hymnaland Songs of Praise). It was found, however, that the original contracts with the OBCeditors prevented any form of later revision. Christopher Morris, the music editor for OUP in 1960 (who later became Head of Music), decided that OBCwas “miles out of date” and that, because he was unable to revise it, a new carol book that was modern, practical, and inexpensive, giving the same accessibility to material but under one cover, was required. John Rutter studied music at Clare College, Cambridge and first came to notice as a composer and arranger of Christmas carols and other choral pieces during those early years; today his compositions, including such concert-length works as Requiem, Magnificat, Mass of the Children, The Gift of Life, and Visions are performed around the world. Thus if you set your stereo balance to the centre you will hear a reasonable balance of all parts. However if Whiteley, Sheila, ed. (2008). Christmas, Ideology and Popular Culture. Edinburgh: Edinburgh University Press. p. 96. ISBN 9780748631872. a b Beeson, Trevor (2009). "17. The Oxbridge Choirs". In Tuneful Accord: the church musicians. London: SCM. p.141. ISBN 9780334041931.