Joined in 2023 
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63 About this deal
Sorry Benton, but I've got to qualify here. This statement, and those that have stated this previously in this thread, is simply wrong. To say you can't use shotgun mics for interior work, simply isn't true. I use this microphone for both video and audio work, mostly as a boom mic or on-camera in run-and-gun situations where I still want cleaner audio than what I get with the built-in microphone on the camera. That said, you ought to be able to get the headphone output from the mixer to work, as long as it's actually monitoring the right thing. I would be leery of doing this mostly because it's too easy to accidentally mess up what the mixer is sending to the headphone output. It is designed for the operator to be able to monitor the audio at various stages along the pipeline, anything from an individual input pre-fader to the output mix. It's also easy for the operator to accidentally change the level. This is not only about the quality but also about design. The MKE600 can be more convenient than both AT897 and Rode NTG2, it performs great even in close-up or open spaces without relying on post EQ tweaks to make up for its weaknesses with one mic performance that might not sound as good when needed most during loud live shows like concerts where distortion often happens due of how many people are yelling/singing at once while instruments play loudly behind them all together which sounds terrible if something goes wrong . It seems Sennheiser took best elements from each microphone they tested before creating this gem. The best audio would probably be a balanced line level output from the mixer (although of course the ATEM doesn't have a balanced input, so you'd need to convert it). The best microphone in the world on the camera is not going to be as good as a microphone that's right in front of whoever is speaking.
The controls on the shotgun are really well designed. Unlike with other Receivers, you won't need any pins because it can easily switch between modes using just your fingers. The new product is a step up from the rest, as it offers you an on/off switch for your battery so that during conversation you don't have to interrupt what's being said with another person. This way we can still hear each other clearly while talking without having worry about listening positively or negatively judging someone else's point-of view because they were not able to talk yet. But to be perfectly frank, unless a whole film is shot in the same location, it's unlikely one mic will provide everything you need for a narrative feature film. Or doco for that matter. Even in the one location you'll probably want a couple of mics to help with the mix. Besides, so much of the sound magic happens in post anyway. I've even used it to mic a guitar amp cabinet while the drums were playing with about 0,5m of space in between but I placed the mic at a 90 angle from the drums with the low-cut on and the recording was almost completely clean. Running the MKE 600 on a 1 x AA battery compared to 48V phantom power results in a lower output level but retains the characteristics that become more pronounced, the closer to the MKE 600 you are. It certainly handles further distances much better than the smaller MKE 200, with even 2m away still sounding pretty good with low to minimal noise once you’ve cranked up the gain. Ce sont deux micros fort identique en terme de qualité sonore et de fabrication, mais mon choix ses porté sur le MKE 600 pour les raisons suivantes:I've never had it shut down on me unexpectedly because the low battery warning comes in well before it actually runs out. Talking about battery life, it is amazing. One battery lasts for days and since it's only one cell you can just have a reserve ready in the carrying pouch at all times. The MKE 600 is a versatile mic that can be used when any situation suits you. It's perfect for all types of performances and environments, from small talk in between songs or interviews to speaking up at conferences. The Sennheiser MKE600 mic is also a great choice for those looking to record their voice and instruments. It has better windscreens, so you won't need the optional ones that come with other mics plus it's affordable.
Sennheiser shotguns are the industry standard for sound engineers and crews in film. The company has an undeniable reputation as a trustworthy producer of microphones, with their MKH 416 serving as one such example that proves quality never goes unnoticed or unappreciated at any level of production. Buy Sennheiser MKE 200 Professional Shotgun Mics Both the MKE 200 and MKE 600 are attached to my Sony A7 IV. The microphone works very well and copes with dialogues, I really like working with it, I just love this velvety and rich sound, even better than ntg3. Of course, many sound engineers can say that I'm talking complete nonsense here, but when I showed my processed work, no one could really tell what the sound was recorded on, so it works very well. If you want to work on a more directional sound then this is the Mkh-416, but again the Mk600 is ideal if you're mixing with lavalier mics. The MKE600 is a fantastic pair of headphones for those who want to get the most out their music. It has an amazing sound quality and it's very comfortable, lightweight design makes them perfect if you're on-the-go.
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Maybe that will work if it's an unbalanced consumer level output. The fact that it is TRS concerns me though. It might be -4 dBV balanced output, the ¼" equivalent of a professional XLR connector.
If there’s one manufacturer that comes to mind when you bring up shotgun mics, it’s Sennheiser. With the Sennheiser MKH 416 serving as an undeniable industry standard, it’s no question that the company has become the go-to for sound engineers and crew in the film and TV industry. With a lightweight yet durable design, incredible sound, and all-around fantastic quality, the MKH 416 has proven its quality again and again. Benton Collins wrote:I had previously used a ME66 for interior work before I knew better. I now use a Audix SCX1-HC Hypercardioid, what an amazing difference! No more room echo and much better vocal tone! For exterior work that demands better than what the ME66 can provide, I use the MKH416 which is much better than the ME66. But despite the MKH 416’s legendary status, its price can put it out of the reach of many beginners. Sennheiser aims to bridge this gap with the Sennheiser MKE 600, a shotgun mic that promises to offer professional quality for less than half the price of the MKH 416. If you’re interested in seeing just how well this boom microphone holds up, then read the rest of this Sennheiser MKE 600 review below. The Sennheiser MKE600 is one of the top-quality microphones from this company, an ideal video camera microphone that can be attached to a boom or for use with your own device. It has been designed so you're able record in any situation and will never miss capturing unique moments again.
MKE 600: Your Ticket to Pro Production Sound
Why can't I get the adjustable volume Headset outlet to work? I have tried setting the ATEM to line and mic with a very loud hum and no usable sound.
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