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In all of our interviews with workers and the studies that we have read in the space, the issue workers care most about is wages. Garment workers—the large majority of whom are women—for a variety of reasons, are some of the least paid laborers in the world.

Smith, Sidonie. A Poetics of Women’s Autobiography: Marginality and the Fictions of Self-Representation. Bloomington: Indiana University Press, 1987. Smith notes the ways in which Kingston uses autobiography as a means of creating identity and breaking out of the silence that her culture imposes on her. She also states that The Woman Warrior is “an autobiography about women’s autobiographical storytelling,” emphasizing the relationship between genre and gender. Although other Asian American women writers preceded her, Kingston was one of the first to garner national recognition, winning the National Book Critics Circle Award in 1976 for The Woman Warrior. Thus, she has been seen as a pioneer for other Asian American women writers who have succeeded her. Politically, Kingston’s The Woman Warrior has excited interest not only because the work provides a feminist vision from a Chinese American woman’s perspective but also because of the negative reaction that it has produced in such Chinese American men as Frank Chin. This is a novel about darkness and its multiple layers. We meet three very different women, separated by decades and oceans who share this darkness. They live under it, sleep in it, eat it and absorb in their daily lives. Three stories unfold and draw the reader into a gripping plot from the start. As soon as you start reading this, you’ll see it as something special. Throughout the development process for The Maxine One, our top priority was ensuring the safety and well-being of your little chonk.In 1949, Quebecois schoolgirl, Lina also has cause to call on the assistance of otherworldly entities as she struggles with the cruel taunts of her bullying peers. Her father died in the French Resistance but even as loss becomes the theme which unites the three women, there are much darker elements at play here too. The sense of foreboding is perhaps most strongly felt during the chapters which follow Lina as she eagerly welcomes the guidance offered by the elderly woman she befriends in the asylum her mother works in.

I'd never read any of Maxine Beneba Clarke's work until I received The Saturday Portraits in a blind book swap at Christmas.

Missing lyrics by Sharon O'Neill?

Weaved in between Maxine’s account, we discover Lina’s and Lucienne’s stories. In 1949, Lina, after an incident at school involving another pupil, is informed by her mother that she needs to come to her place of work each day after her classes finish. Lina’s mother works in a ‘rest home’, which used to be a psychiatric hospital. There, Lina meets an elderly lady, a resident of the home, and they soon become close. We suggest limiting the amount of time that your chonk is riding in The Maxine One to no longer than 45-60 minutes before taking a break. And since when has Tommy been a reputable news source?” Steve shakes his head. “I’m offended, man. You know me better than that.” Told from the perspective of 3 women in 3 different centuries, it manages to give each of them a unique voice! One thing I love about this author’s writing is the way she seamlessly combines a story with multiple timelines, moving from past to present without hesitation. The author gives each character a distinctive voice. Each era is rich in description and atmosphere, so there’s no confusion. I normally find in this type of book I prefer one character’s story or time period, but not here! Each Women’s story consumes your every waking moment, making The Bleeding nigh on possible to put down.