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Cotter, Holland (24 May 1996). "Art in Review: The man who organized Fluxus". The New York Times. Archived from the original on 27 June 2017 . Retrieved 17 May 2022. Janssen, Ruud. Mail-Interviews Part 1 Interviews with Mail-Art and Fluxus Artists. Breda: TAM-Publications, Netherlands 2008. There are three types of rosin: gum rosin (from pine tree oleoresin), wood rosin (obtained by extraction of tree stumps), and tall oil rosin (obtained from tall oil, a byproduct of kraft paper process). Gum rosin has a milder odor and lower tendency to crystallize from solutions than wood rosin, and is therefore preferred for flux applications. Tall oil rosin finds increased use due to its higher thermal stability and therefore lower tendency to form insoluble thermal decomposition residues. The composition and quality of rosin differs by the tree type, and also by location and even by year. In Europe, rosin for fluxes is usually obtained from a specific type of Portuguese pine; in America a North Carolina variant is used. [17] Three months before his death, he married his friend and companion, the poet Billie Hutching. After a legal wedding in Lee, Massachusetts, the couple performed a "Fluxwedding" in a friend's loft in SoHo, 25 February 1978. A videotape of the Maciunas' wedding was produced by Dimitri Devyatkin. [101] The bride and groom traded clothing. [102] Maciunas died on 9 May 1978 in a hospital in Boston. Mechanical rubbing of a heated surface with molten solder can be used for coating the surface. Both surfaces to be joined can be prepared this way, then placed together and reheated. This technique was formerly used to repair small damages on aluminium aircraft skins. [ citation needed]

Fluxus is both an avant-garde artistic movement and a community of like-minded artists with a shared goal to experiment with, challenge, and go against the grain of traditional art and societal mores. Also known as"Intermedia," the movement has also been used to describe the purposefully strange, counter-cultural mindset of the artists who practiced it. Fluxus emerged in the wake of Neo-Dada art in the 1950s. With a focus on political, nonsensical and anti-art ideas, artists looked to the anarchic spirit of Dadaism and Futurism, particularly their provocative performances and events, and to Duchamp’s ‘ readymade’ sculptures.Yoko Ono, for instance, has claimed authorship of Mieko Shiomi's Disappearing Music For Face (aka Smile) for instance. At high temperatures, copper oxide reacts with hydrogen chloride to water-soluble and mechanically weak copper chloride, and with rosin to salts of copper and abietic acid which is soluble in molten rosin. DiTolla, Racy (2015). "Fluxus Movement, Artists and Major Works". The Art Story. Archived from the original on 19 October 2015 . Retrieved 6 October 2015. Fluxus began as an international collective of artists and composers of various nationalities, who worked collaboratively across media. There was a strong base in New York City, with major centres in Germany and Japan. They were a socially motivated group who promoted an inclusive and collective spirit as opposed to what they saw as the functionless art object and the ego-driven artist. Although their ideas were complex, they were united by the idea that life can be experienced as art.

Motherwell, Robert and Jean Arp (1989). The Dada Painters And Poets: An Anthology. Cambridge, Mass: Belknap Press Of Harvard University Press. For Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price. Haskell, Barbara. BLAM! The Explosion of Pop, Minimalism and Performance 1958–1964. New York: W. W. Norton in association with the Whitney Museum of American Art, 1984. Bombardment with atomic particle beams can remove surface layers at a rate of tens of nanometers per minute. The addition of hydrogen to the plasma [ which?] augments the removal efficiency by chemical mechanisms. [ citation needed] In transport phenomena ( heat transfer, mass transfer and fluid dynamics), flux is defined as the rate of flow of a property per unit area, which has the dimensions [quantity]·[time] −1·[area] −1. [6] The area is of the surface the property is flowing "through" or "across". For example, the amount of water that flows through a cross section of a river each second divided by the area of that cross section, or the amount of sunlight energy that lands on a patch of ground each second divided by the area of the patch, are kinds of flux.

Conductivity – some fluxes remain conductive after soldering if not cleaned properly, leading to random malfunctions on circuits with high impedances. Different types of fluxes are differently prone to cause these issues. Baas, Jacquelynn, et al. Fluxus and the Essential Questions of Life, pp 80,86. Chicago and Hanover, NH: University of Chicago Press and Hood Museum of Art, 2011. A very thin layer of zinc can be used for joining aluminium parts. The parts have to be perfectly machined, or pressed together, due to the small volume of filler metal. At high temperature applied for long time, the zinc diffuses away from the joint. The resulting joint does not present a mechanical weakness and is corrosion-resistant. The technique is known as diffusion soldering. [ citation needed] Held, John Jr. Where the Secret is Hidden: Collected Essays Breda: TAM-Publications Netherlands, 2011.

In Tokyo Japan 1964 Yoko Ono, a nonconformist to the Fluxus community, [70] independently published her artist’s book Grapefruit. [71] The book’s text itself encompassing event scores and other forms of participatory art. [72] Held, John Jr. Mail Art: an Annotated Bibliography. Metuchen, New Jersey and London: Scarecrow Press, 1991.An immediate predecessor of Fluxus, according to Maciunas, was the Gutai group which promoted art as an anti-academic, psychophysical experience, an "art of matter as it is" as explained by Shiraga Kazuo in 1956. Gutai became connected with a sort of artistic mass-production, anticipating Fluxus's trademark, i.e., ambiguity between the cultivated and the trivial, between high and low. Indeed, avant-garde art in Japan tended toward informal rather than conceptual elements, radically opposing the extreme formality and symbolism found in Japanese art. Brecht, George; Robinson, Julia (2005). George Brecht: Events – Eine Heterospektive (in German). Cologne: Museum Ludwig and Buchhandlung Walther König [ de]. Zurbrugg, Nicholas. 1990. "A Spirit of Large Goals." – Dada and Fluxus at Two Speeds. Fluxus! Nicholas Zurbrugg, Francesco Conz, and Nicholas Tsoutas, eds. Brisbane, Australia: Institute of Modern Art, p. 29. Salts are ionic in nature and can cause problems from metallic leaching or dendrite growth, with possible product failure. In some cases, particularly in high- reliability applications, flux residues must be removed. Common fluxes are ammonium chloride or resin acids (contained in rosin) for soldering copper and tin; hydrochloric acid and zinc chloride for soldering galvanized iron (and other zinc surfaces); and borax for brazing, braze-welding ferrous metals, and forge welding.