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aggressive bass, but also balanced bass, offering wonderfully complimentary depth to music and action effects alike. The opening theme has never The plot is deeply tied to the story developed within the larger Craig Bond canon, and audiences familiar with those films will be the most power from the microscopic level: nanobots with the ability to deliver deadly disease to specific genetic markers. Designed as a powerful
a modern day Bond action set piece: a great car, wonderful scenery, and exceptional choreography, here rooted in an emotional pairing Universal brings No Time to Die to the UHD format with a very impressive 2160p/Dolby Vision UHD presentation. The picture is the clear No Time to Die comes to Ultra HD Blu-ray from Universal Pictures Home Entertainment featuring 2160pHEVC encoded video and lossless Dolby Atmos/TrueHD 7.1 channel sound. ANATOMY OF A SCENE: MATERA – In true Bond fashion, there is an incredible pre-credit sequence featured in No Time To Die. A breathless chase shot in Matera that starts on foot, then motorcycle, then car. Not just any car either - the iconic Aston Martin DB5! Through interviews with Daniel Craig and director Cary Joji Fukunaga, plus on-set interviews with key members of the crew, we discover how the filmmakers shot this breathtaking sequence. James Bond has left active service. His peace is short-lived when Felix Leiter, an old friend from the CIA, turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology. – Universal Pictures Home EntertainmentDesigning Bond – Production designer Mark Tildesley and costume designer Suttirat Anne Larlarb, along with cast and other filmmakers, discuss the inspiration, challenges and trials of concepting and making such remarkable sets and costumes for the iconic Bond franchise. the listening area and the impacts hit bulletproof glass with incredible depth and power. Every action scene follows suit for intensity and clarity, for full James Bond (Daniel Craig) has retired from service and is trying to put a life together with his longtime love Madeleine Swann (Léa Seydoux). His plans are interrupted when his old friend, CIA agent Felix Leiter (Jeffrey Wright), alerts him to a new and dangerous enemy wielding unspeakable in the latest cinema installment of the Ian Fleming-created series, this one directed by Cary Joji Fukunaga ( Jane Eyre, Beasts of No Nation). No Time to Die is every bit the
its color output. First, the higher resolution yields a greatly cleaner, crisper, more perfectly cinematic picture. The level of clarity and detail are A Global Journey (2160p, 7:50): In the Bond tradition, No Time to Die travels the globe to build its story. This piece features castKeeping It Real: The Action of No Time to Die – In a world full of CGI-heavy action films, the Bond franchise proudly stands out from the crowd for always shooting practical stunts, without the use of special effects. In this piece we see how No Time To Die continues with this tradition with its amazing action sequences. Anatomy of a Scene: Matera (2160p, 11:32): Exploring the making of a key pre-title action sequence that involves everything that makes
It’s a film that really is a part of a whole – less so narratively, but much more so emotionally. And viewed as the finale to Craig’s tenure, it feels like a complete celebration of how Craig and Eon have managed to somehow update Bond for a modern time whilst retaining the more outlandish and frankly crowd-pleasing elements its audience requires. While some may have doubts about the choices the film makes in its final moments, they inarguably feel intrinsically true to Craig’s Bond and what he and Eon have strived to do from his very first moments in the role all those years ago. And that's not necessarily the fault of the impressive director Cary Joji Fukunaga ( True Detective). Perhaps the iconic producer of all Bond movies Barbara Broccoli's decision to allow at least five writers to pen this final screenplay - including the great Fleabag star Phoebe Waller-Bridge - has more to do with it. The result is a film that weaves in and out of different scenes in different genres featuring excellent, silly action beats where Bond makes a drink mid-fight and slugs it down then straight into a completely serious talk and death of a character. There's no flow, rhyme, or reason to it other than to exist as if several writers' ideas all made the final draft. superior to the companion and concurrently released Blu-ray. It is infinitely better defined, obviously sharper, and more richly deep in
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KEEPING IT REAL: THE ACTION OF NO TIME TO DIE – In a world full of CGI-heavy action films, the Bond franchise proudly stands out from the crowd for always shooting practical stunts, without the use of special effects. In this piece we see how No Time To Die continues with this tradition with its amazing action sequences. Bond uses in the series; what's new is cool, what's familiar has proven its worth, and it's a winning formula. As for Not Time to Die’s place within the Daniel Craig Collection of Bond films, it falls in line behind Casino Royale and Skyfall alongside Spectre, with Quantum of Solace remaining in last place.
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