Donner Digital Piano Keyboard Weighted 88 Keys with Piano Stand, Beginner Home Electric Piano with Furniture Stand and Triple Pedal, DEP-20S Real Piano Touch

Product Information

In terms of portage & connectivity, the DMK 25 gives you an input for a sustain pedal, as well as USB to connect this controller (using the fancy zebra-striped cable) to your computer.

Behringer’s clone certainly looks the part more, is more faithful in its sequencer design, and matches the CV outputs of the original. The B1, however, is easier to program and its additional playability and sequencing tools mean that it can do more than simply replicate straightforward acid bass riffs. Its delay is a great addition too. Novation has even squeezed an arpeggiator & chord function into the Launchkey Mini. Chord mode allows you to compress several notes into one sound, which you can then play key-by-key. Both quirks you don’t get with the DMK 25. Neither of these keyboard controllers come with endless encoders. With both you’ll get assignable knobs with designated start/ end points. While the DMK 25 works (& works well with Ableton Live), the Launchkey is ‘that’ bit more integrated. Then again, you’d expect that with it being designed specifically for Ableton. However for other DAWs, both are just as good.Because while 25 keys (2 octaves) doesn’t seem like a lot, it doesn’t necessarily limit the amount of sounds you can achieve. All it means is that you can only play the notes from 2 octaves at once; to switch up the whereabouts these 2 octaves, you’d have to use the ‘Octave +’&‘-‘ button. Finger drummers rejoice – the drum pads on the DMK are super responsive. In fact, to tap they feel a lot like the MPC pads you find on the Akai MPK Mini. Although they are slightly smaller. Blindfold us though & we’d struggle to tell the difference.

The power of music manifests itself as the agent of connection. Each of us is somewhat universally connected in the world of music, where we revisit our deepest surge of emotion.

QUESTIONS & ANSWERS

Before making the comparison between the Donner DMK 25 & its rivals, it’d only be wise to get clued up on the Donner DMK 25 specs. Do so & you’ll be able to make a fair comparison (stress on fair) because you’ll be able to fully understand what the DMK 25 is all about + understand all of its quirks & features, many of which you wouldn’t perhaps notice on 1st glance. You can use either of these controllers in tandem with an iPad or phone to create music ‘on the go’. While both have 25 keys, those on the DMK are mini-sized keys, whilst those on the Starrykey are full size. What’s more, in terms of keyfeel, those on the Starrykey are semi weighted, yet those on the DMK 25 are a lot lighter & feel very much like a synth action.

This digital piano is perfect for people looking for a wooden keyboard option that looks and sounds like a real piano. Donner creates some of the most realistic-sounding digital pianos, and this one is no exception. For people looking to downsize from a grand piano, this model is only 50 inches long by 14 inches wide, so it fits in almost any room.It does come with the power cable and pedals, but unfortunately, you have to buy the seat separately Novation bundle plugins & software like XLN Addictive Keys & Spitfire Labs with the Launchkey Mini. All free software you don’t get with the Donner. The DMK 25 also gives you 4 assignable faders. Something a LOT of midi keyboards in this range do not boast!! All of which do a great job for controlling levels/ making easy adjustments + prove useful when for controlling virtual instruments too. If you’ve a fetish for knobs… (eyebrows raise), then the MPK is where it’s at. Not only does it have double the amount you’ll find on the DMK, but these 8 knobs are also endless.

This midi is the KING of portability! For a midi controller with 25 keys, not only is it lightweight, but it’s slimline too. On a ratio of ‘Features: Weight’, it’d take gold. Both the Donner & the Launchkey Mini allow you to be super expressive. Connecting a sustain pedal is as simple as ‘Plug-In-&-Play’.Where the B1 differs more dramatically from its inspiration is in the sequencing workflow. The original TB-303 used a small button-based sequencer with an awkward workflow that involved inputting pitch and timing – note triggers, rests, slides, accents and octave jumps – separately. This led many users of the original to rely on blind experimentation as much as careful composition when it came to programming patterns. So now you’re clued up on how the DMK 25 differs from its more chunky bigger brother, you’re not doubt curious as to what’s good, bad & ugly about the DMK 25. In other words, what features make it worth it & what features could be considered a severe turn-off. Yes, if you’re hunting for a keyboard controller with included software (DAWs or virtual instruments) then the DMK 25 may not be for you. Just as you may benefit from sizing-up to something with full-size or weighted keys if you’re a key-focused player.