Coming to England

Product Information

Coming to England is such a popular book that it seemed a great idea to make a picture book version so younger children can enjoy it too. People might think it's easy writing a picture book, but it's not, especially when you've got quite a complicated real life story such as Coming to England. There is the fun and spectacle at the carnival and there are some great illustrations of this, as there are throughout the book. Between that and church life, children will be able to see the British (and other countries) influences. They've all seen the Queen, and we had to find an element of how the story can come good, to give people hope. So it was lovely to have the story of me dreaming about meeting the Queen as a young girl, and then eventually meeting her at the end with my Mum and Dad looking on so proudly. I had to go through bad times, but I feel my life is a happy ending so I needed to give the book a happy ending. Those were the stepping stones I used to get through the book, and leave everything else aside. With a brilliantly coherent foreward, that is a Must Read, (I say because I know that some people skip over these parts and miss a great deal), it gives an insight for what's to come, with some of the history and circumstances laid out. The entire book is hugely interesting and many children will be able to relate to so many aspects themselves or learn so much from it and will (hopefully) see that moving can be challenging, especially to a different country and what can be faced and also how challenges can be overcome. They will also (hopefully) learn that humans, whatever their race etc don't need to be mean to each other (putting it politely) and learn tolerance and also learn something about the Windrush Generation. It is a book that may inspire and is written in such a way that children will be able to get into easily and understand immediately and may prompt curiosity and questions and thoughts. Floella Benjamin, with her new foreward proves she's still got it when it comes to children and young people, to reach out to them and their level. Floella writes eloquently about growing up on a Caribbean island with her parents and five siblings, wonderfully evoking a sense of sunshine, love and laughter. She also speaks candidly of the hostile reception she receives on arrival in Britain, where she is seen as a colour rather than a person, and shows great resilience, determination and courage when facing this discrimination.

Some of Coming to England is really upsetting, particularly the racism you experienced. How did you decide what to leave out in the picture book, and what to keep in to tell the same, but slightly different, story? Small ideas can resonate through everything': Poet Steven Camden introduces the books shortlisted for the CLPE Children's Poetry Prize I love the way BookTrust gives books to all children and parents. That is so important. Before a child can read the words, a picture is telling the story and connections are being made - for life. Children are connecting all the time and they are seeing things for the first time, and that's why it's such a responsibility to get things right. Coming to England is an autobiographical account of Benjamin’s experiences of moving from Trinidad to England as a young child in 1960. Illustrations are provided by Michael Frith, which bring the scenes, settings and cultural contrasts into focus for the reader. The book vividly describes Benjamin’s family life in Trinidad where she brings the beautiful scenery and the rich culture to life. We then follow Benjamin as she and her siblings’ journey across the sea to England, where she presents an unsettling account of her experiences. The book discusses the racism she encountered from classmates, teachers, shopkeepers, and wider society, and starkly portrays the impact this had on her as a child, while discussing how she was able to overcome and thrive from adversity. Benjamin considers the impacts of colonialism, national identity, and racism in post-war society all from the eyes of a young child. Coming to England was first published in 1996, and since then has been adapted by the BBC for television, was added to the national curriculum list of educational titles in 2003, and in 2020 has been re-adapted into a picture book for younger children. Coming to England has been used frequently by teachers to introduce the topic of racism in Britain to younger children. The book sensitively, yet very truthfully explores and examines the theme from the eyes of a child, and is therefore excellent to use in the classroom as it brings to light an important issue that some children might otherwise be unaware of. Is this picture book version the kind of book you dreamt about reading when you were on Play School?Coming to England is great for Middle-Grade readers and is being re-released. She first wrote it over 20 years ago and then it was published again in 2016 and now on 15th April, it is ready for this new generation of children to enjoy and is a very special 25th Anniversary Edition you can buy now. Owl or Pussycat? How Michael Morpurgo and Polly Dunbar find their inspiration in childhood memories In a way, it was the same when I was writing my novel Coming to England for older children, which doesn't have even one racist word in the book. But if I was writing it for adults, then I'd use stronger words to give the real feeling of what it was like. You can't even tell 10 or 11 year olds what it was truly like. I wouldn't want to burden them with it.

It was a great collaboration and I'd love to write another book with Diane! When I look at illustrations I've got to get a warm feeling, and that's what Diane's do. It's got to be inspirational, beautiful and perfect. If you tell a story, it's got to be the best. Because remember, whatever they get first will stay with them forever. Teenage rebels": Cane Warriors author Alex Wheatle on writing about young people living through incredible events Readers get to know a little of Dame Floella Benjamin's brothers and sister - Ellington, Sandra and Lester whose mother they call Marmie, in affectionate terms, who met Dardie aged 19, all of which I think is just lovely. The memoir starts with Life in Trinidad and it feels quite uplifiting in some ways and warm. There is much enjoyment for children to get their teeth into and so much knowledge to be gained about food and other parts of the culture. No matter where you're from, whatever your culture, it shows that some things are the same the world over, such as baking. This is one of the beauties of this book, it starts off showing that there are similarities in life, after all, who doesn't at the very least, like cake or ice cream? It has such a positive feel to it for children to read about that is heartwarming as it will make it easy then for children to warm to it. Then there's school life, so some of this will be familiar to children too, although there are some changes, but this is where it's interesting for children, and it was for me growing up too, as I grew up without the fear of the belt, whipping down on me, but in the 60's, 70's this seemed more like the norm.You look at it holistically. I had to think very carefully about what I wanted very young children to know and grasp. Some of them know about moving to a new place, so they can understand the concept of moving. Some of them know about parents leaving, even if it's for a couple of weeks, so they know the emotional feeling that gives you. Written through the eyes of Floella Benjamin as a child, this autobiography tells the story of her family's move from their West Indian home in Trinidad to the "Mother Country", England. Her story reflects that of many West Indians in the 1950s/ 60s - known as the 'Windrush Generation', who moved for a better life, encouraged to help Britain rebuild itself after the second world war. Sadly, local people failed to welcome them, inflicting racially-incited cruelty, such that West Indians created their own separate communities. A vibrant, evocative memoir from a familiar face as I was growing up, beautifully illustrated throughout with Michael Frith's watercolours. This is a short book, so you can rattle through the chapters; half concerned with Floella's upbringing and family of five siblings in Trinidad, and the other with her arrival and need for 'survival' in England, which was very different to her ideal of 'falling into the arms of someone you had been taught to love'.