loveless

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My Bloody Valentine album sales ranking] (in Japanese). Oricon. Archived from the original on 11 October 2013 . Retrieved 23 November 2012. Album Chart". Gaon Chart (in Korean). Archived from the original on 8 January 2021 . Retrieved 7 February 2019. Matrix / Runout (Runout side A, variant 1): MBV 0217 XX8S A3 =MATT@ALCHEMY= BH97159=01A₁ REWIGLP159 a b DiCrescenzo, Brent. "Top 100 Albums of the 1990s: 'Loveless' ". Pitchfork. Archived from the original on 14 September 2005 . Retrieved 7 July 2007.

Rondeau, Bernardo (29 January 2003). "My Bloody Valentine–Loveless". PopMatters. Archived from the original on 13 August 2007 . Retrieved 24 August 2007. Matrix / Runout (Runout side A, variant 8): MBV 0217 XX8S A3 Δ| Matrix / Runout (Runout side A, variant 2): MBV 0217 XX8S A3 =MATT@ALCHEMY= A=1 BH97159-01A1 REWIGLP159 a b Richardson, Mark (17 November 2003). "Top 100 Albums of the 1990s: 'Loveless' ". Pitchfork. Archived from the original on 22 June 2007 . Retrieved 5 August 2007. Symphonic Chaos". Melody Maker. December 1990. And it won them acclaim from Brian Eno, who, in a lecture at New York's Museum Of Modern Art, described it as 'the vaguest piece of music ever to get into the charts'. If Steve Reich or Glenn Branca had been responsible for it, he continued, they would have been given an award by the classical music establishment.Kot, Greg (12 December 1991). "My Bloody Valentine: Loveless (Sire)". Chicago Tribune. Archived from the original on 17 November 2015 . Retrieved 14 November 2015. Matrix / Runout (Runout side A, variant 6): MBV 0217 XX8S A3 =MATT@ALCHEMY= < .. > BH97159-01A1 REWIGLP159 While Butcher contributed about a third of its lyrics, [31] most of the music on Loveless was written and performed by Shields; according to Shields, he is the only musician on the album apart from "Touched". [32] Shields assumed Butcher's guitarist duties during the recording process; Butcher said she had not minded because she felt she "was never a great guitarist". Bassist Debbie Googe did not perform on the album, though she received a credit. Googe said, "At the beginning I used to go down [to the studio] most days but after a while I began to feel pretty superfluous so I went down less." [33] Butcher explained, "for Kevin to actually translate to Debbie what he had in his head and play it right would have been an agonizing process." [34] Moulder said "It wasn't collaborative at all ... Kevin had a clear view of what he wanted, but he never explained it." [35] British album certifications – My Bloody Valentine – Loveless". British Phonographic Industry. 21 May 2021 . Retrieved 6 July 2021. On "When You Sleep" it sounds like me and Bilinda singing together, but it's just me–me slowed down and me speeded up at the same time. Some songs we sang over and over until we got bored–usually between 12 and 18 times. I started sorting through the tapes and it did my head in, so I just played them all together and it was really good–like one, vaguely distinct voice. [49]

Jorgl, Stephanie. "Alan Moulder: Self-taught Audio Kingpin". Audiohead.net. Archived from the original on 13 August 2007 . Retrieved 24 August 2007.

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Select, January 1992–from a piece accompanying the album's placing at #6 in the magazine's list of the best albums of 1991 When he was auditioning manufacturers, he found that many seemed not to care about the quality of their product. “When I played the original version from ’91, it sounded more exciting than all these cuts that I was achieving now,” he says. “[The companies] just make vinyl and they take advantage of the fact that 50 percent of people who buy it don’t even listen to it. And the other 50 percent are only getting into it for the first time. So you have a situation where only 25 percent of people can even tell if it’s crap or not.” Repeatedly during the interview, he points to the Beatles’ recent mono vinyl box set as one that was done right. (That said, he feels it may have fallen on deaf, or tone-deaf ears. “The average Beatles fan is a fool, to be honest,” he says. “They couldn’t tell the difference from a stereo or mono version.”).... European Top 100 Albums" (PDF). Music & Media. Vol.8, no.48. 30 November 1991. p.23. OCLC 29800226– via World Radio History.

Greatest Albums 1985-2005: No.22 'Loveless' ". Spin. July 2005. p.78. ISSN 0886-3032. Archived from the original on 20 July 2021 . Retrieved 15 November 2020. O'Hagan, Sean (20 June 2004). "OMM: The 100 Greatest British Albums: 20. 'Loveless' My Bloody Valentine". The Observer. Archived from the original on 2 October 2006 . Retrieved 27 November 2007. Shields and Butcher became afflicted with tinnitus, and had to delay recording for further weeks while they recovered. Concerned friends and band members suggested this was a result of the unusually loud volumes the group played at their shows, which Shields dismissed as "ill-informed hysteria". [23] Although Alan McGee was still positive about his investment, the 29-year-old Green, who by this time was opening the label's morning post "shaking with fear", became a concern to his co-workers. Publicist Laurence Verfaillie, aware of the label's inability to cover further studio bills, recalled Green's hair turning grey overnight, which she attributed to the album. [23] Kuroda, Takanori (2014). マイ・ブラッディ・ヴァレンタインこそはすべて / All We Need Is My Bloody Valentine. Japan: Disc Union Books. ISBN 978-4-925064-92-7.Loveless (CD). My Bloody Valentine. Sony Music Entertainment. 1988. LC 12723. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)