Undone: A Lesbian Seduction

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Over 10 years later, same-sex rape on college campuses is just starting to be quantified on a national level. Haven, an online sexual assault and awareness program that logs sexual assaults directly from students, works with self-reported data from over 800 colleges and universities. Haven had never compiled a report on undergraduate women who have been assaulted by women, but teamed up with MarieClaire.com to reveal new information: While the number of reported sexual assaults by women was low compared to assaults overall (only about 2.5 percent), the most striking difference came down to the likelihood of survivors to report the incident: 30 percent of women assaulted by another woman told no one, compared to 25 of women who didn't report an assault by a man. Sarah left their home that night and sat crying in her car. As a child, she had been repeatedly sexually abused by an uncle —this assault felt just as violating. But she still wasn't sure if she would call it rape. "Because we were together, I thought that she had the right to have sex with me the way she wanted," Sarah explains.

As am I. Representation always matters, whether it's in the Halls of Congress or at your local independent theater. Queer women deserve to have their queer female sex represented on screen, without it devolving into typical pornographic tropes: shaved vaginas, sorority sisters, giant jiggly boobs, foot-long dildos, scissoring, a well-hung neighbor guy who just "pops in" for a threesome, etc. There's absolutely nothing wrong with any of these erotic ingredients, per se, but it's formulaic and not particularly representational of most queer sex.This seems like it shouldn't be a victory. And yet, the list of movies who've accomplished the same feat is painfully abbreviated. Don't talk to me about Blue is the Warmest Color, a movie made famous for its extended, impractical sex scenes and allegations of harassment by its director, Abdellatif Kechiche. Kechiche reportedly bullied the two female protagonists as well as his staff, forcing them to work 16-hour workdays under extreme pressure. Critics further accused the director of creating "voyeuristic" sex scenes intended to solicit the male gaze. Weeks passed before Ella, 25, began to confide in her friends that she had been raped. While she didn't find them to be exactly unsupportive, there was still a consistent and major hurdle: "They are oftentimes surprised when they realize it was a woman who assaulted me." It was when Sarah and I went outside to share a cigarette, sitting in a dark corner of the country house garden that she kissed me. Perhaps it’s trite to say that “representation matters,” but some things are cliché because they’re true. The first time I ever saw lesbians onscreen was when my high school’s Gay Bisexual Straight Alliance played part of the first scene of the original L Word series. (The “sweet little figs” scene, in case you were wondering—the girls who get it get it.) Even so, it wasn’t until years later, when I first saw Blue Is the Warmest Color , that I actually found a queer story that reminded me of my own.

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More information is needed at all levels—government, collegiate, and otherwise. All the experts we spoke to point to an overall dearth of research on intimate partner violence in queer female communities as the biggest obstacle in developing more accessible resources for survivors.When female victims of female assaults do pursue legal action, gender bias can severely hinder their ability to accurately report sexual violence. "Oftentimes, women in abusive same-sex relationships tell us that even when they do call the police, they are treated dismissively," recounts Kauffman. "'Women aren't violent.' 'This is just a girl fight, this is a waste of our time,' is a common attitude." According to the 2015 report by the National Coalition of Anti-Violence Programs, of LGBTQ individuals in Ohio who did report intimate partner violence, 21 percent experienced "indifferent" reactions from police. Another 28 percent experienced hostility. It's been four years since Alaina was raped and she still has no plans to pursue formal charges against her rapist. She says, unflinchingly, that she has moved on in other ways: She's chosen to change her name, and has moved to a new city where she has pursued a successful freelance writing career, often writing about sexual assault within the LGBTQ community.