IN THE BLINK OF AN EYE NEW EDN: New Edition

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Margt af því sem Murch bendir á varðandi möguleg vandamál við klipp í stafræna heiminum vs analog er eitthvað sem ég get tengt við og lært af.

Walter Murch, a long time editor, made a book from a couple lectures he's lectured about the art of editing - his personal editing philosophies, technical trips and tricks, and comparing the philosophical and technical differences between film editing and digital/electric editing.There is tremendous power in cutting on blinks--and Murch points that we blink when we change the direction of where we are looking, which is similar to a cut in video editing.

yıl önceki ön görüler şu an gerçek oldu ve aynen yazarın aklındaki soru işaretleri günümüzde de oluştu. Ele fala sobre: o porquê e o que motiva um “cut”; a experiência dele em edição de filme; a história da edição (transição do cinema analógico para o digital: pontos positivos e negativos). W drugiej części (pisanej w roku 2006, mającej aktualizować cały wywód) jest już więcej treści, ale paradoksalnie mniej z tego wyniosłem, bo nadal jest to jednak wywód historyczny, o konflikcie między światem analogowym (taśma i maszyny do montażu) a cyfrowym (nośniki cyfrowe i komputery). g. Edit Decision Lists), but it gets really good again contemplating what we lose when we take an enormous leap forward with technology. In the Blink of an Eye first came out about the time I was teaching myself to shoot and edit video, and I was looking for all kinds of books to help me along with that education.

Lesin þreyttur í rúminu mínu, í pakkfullumstrætó úr Hamraborg og árla morguns á bensínstöðinni við Laugarveg, en kláruð í Stúdíó Sýrlandi við tökur á fyrstu breiðskífu Woolly Kind.

Much of the book references experiences Murch had editing The English Patient, Apocalypse Now, and The Godfather.

It was probably too early to really dig into that, and I’d recommend skipping it if you aren’t invested in that very specific time period of editing between 1990 and 2000.

I don't have a film background and after college got a job in video production--for companies, startups, etcs. It contains much the same (and more) content and is crafted by Ondaatje to emphasize not just Murch's genius, but also his humility and eager, genuine curiosity. In The Blink Of An Eye: A Perspective On Film Editing was required for my going to film school, along with 15 other books (NONE OF WHICH WE READ BUT PAID FOR - INCLUDING THIS ONE OBVIOUSLY).

I went with Directing anyway because I'm an idiot and my school was made up of idiots too because when I asked to double major, focusing in Directing and minoring in Editing, they said I would have NO time for that. My first instincts about the book were correct: this is about the theory of editing: what a cut is, what it does, how it works, why it works. clean, unmarked, tight pages; 3 lines of writing on rear flyleaf; cover has light shelf and corner wear and the plastic film overlay is rippling on front and back.