Folly in the grounds of the Expo '90 fair, a "series of compressed and fused elements to expand in the landscape and refract pedestrian movement." Hadid describes the sculpture as a "half scale experiment for the Vitra Fire Station". [33]

She drove home the point with a declaration that architects of her time had “responsibilities far greater: we must create a new dynamic of architecture in which the land is partially occupied. We must understand the basic principles of liberation.” Vitra fire station via Wikimedia Commons Winter then depicts Zaha’s unbuilt Cardiff Bay Opera House, which was slated for Cardiff, Wales, and the controversial story of how her winning design never received the support needed for construction. “The idea that… the place was designed by an Arab lady interested in abstract painting, did not sit well with many of the Welsh,” writes John Seabrook in an article for the New Yorker. After facing discrimination from the architecture world, Zaha vowed to never let a piece she designed go to waste. “I made a conscious decision not to stop,” said Zaha of the unfortunate incident, which Winter uses in her book. At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties.Non-fiction picture book about the famed architect’s life and her triumph over adversity from celebrated author-illustrator Jeanette Winter. Based on the massive TASCHEN monograph, this book is now available in an accessible edition covering Hadid’s complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid’s own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.

During the latter years of her life, Hadid’s daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as “the most important new building in America since the Cold War”; the MAXXI Museum in Rome; the Guangzhou Opera House in China; and the London 2012 Olympics Aquatics Centre. With colorful illustrations, Jeanette Winter tells the story of Zaha and how she became a radical architect. Starting from the beginning, she depicts Zaha as a child living with her family in Baghdad, being inspired by the country’s beautiful rivers, dunes, and above all ruins of ancient cities. floor housing development with a wedge-shaped, metal-clad 8-floor tower for the Internationale Bauausstellung. [14] This, together with the Vitra Fire Station, was Hadid's first realised project. Hadid was one of three women commissioned to design social housing complexes, following the efforts of the Feministische Organisation von Planerinnen und Architektinnen to increase female contributions to the IBA program. [34] Leaving her home in Baghdad, she studied architecture in London and made quite a splash with her unconventional building designs. She entered contests and her designs won. As she became more famous, she received phone calls from other countries to design buildings that imitated flight or moving water. Soon, Zaha designed an art gallery in the United States, and from there, she was jet-setting around the world designing projects for housing and public use. She won the Pritzker Prize, the most prestigious award for architecture, and she was the youngest person ever to win. By her untimely death in 2016, Hadid was firmly established among architecture’s finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects.

Children’s Book about Zaha Hadid

Famously architect Zaha Hadid did one of her earliest building designs for The Peak architecture competition. Another difference I see is that I mostly read about authors in this series before, but now, as this one is about an architect, you see her work, the buildings she created, instead of having just one symbol for her achievements like Frankenstein's monster was for Mary Shelley. Also, Zaha Hadid won numerous awards which are mentioned and would make a neat entryway for more research on famous architects and their work in one would be so inclined. Hadid would say on multiple occasions, “ I never thought of myself as a role model.” But she became a role model to many by simply pursuing the career she wanted. She was a prominent woman globally recognized and in demand for her designs. She was an Iraqi known for her abilities as an architect and not for being from a country regularly portrayed negatively in Western media. But, as noted by ‘Aref, Western portrayals of Hadid’s Iraqi heritage are often limited to three simple words: “born in Baghdad.” Wangjing SOHO via Wikimedia Commons

A complex of office buildings inspired by folding Chinese fans and containing the third-tallest woman-designed building in the world. This book is gorgeously illustrated, following a very similar style to all of the other books I've read that are a part of this series. It's simple, colorful, to the point, and excellent for the typical audience. As usual, I am a huge fan. Even better, the book also features extended information about Zaha Hadid at the end. Highly, highly recommended grade 3 and up. Younger kids will enjoy hearing the story. With author's note, timeline and bibliography.Rattenbury, Kester (2002). This is Not Architecture: Media Constructions. Routledge. ISBN 978-0-415-23180-0.