A contemporary of William Morris was Christopher Dresser but he preferred industrial processes over handcrafted. You may also like the Art Nouveau pochoir butterflies of Seguy or the Alphonse Mucha posters. Daisy, for example, featured a simple pattern of naively drawn meadow flowers copied from an illustration in a 15th-century version of Froissart’s Chronicles. Trelliswas inspired by the rose trellises in the Red House garden, as well as the medieval gardens seen in illuminated manuscripts. Even more significantly, both patterns marked a radical departure from the highly naturalistic, brightly coloured floral patternsand the more geometric and stylised Gothic Revival designs that had dominated mid-Victorian wallpaper design to this point.

The firm initially focused on making expensive, one-off pieces of painted furniture, embroideries and stained glass. But Morris’s move into wallpaper design underlines his early understanding of the importance of making economical, more mass-produced work that could reach a wider audience. These William Morris patterns would be great for home decor crafts, such as these DIY tile coasters. Granglam Beautiful Beautiful bedding,easy to wash and iron.Looks fabulous on the bed and very soft material Cattersue William Morris design Bed linen in a William Morris design. What a privilege. Pleased with good quality. Verity Pugh examines William Morris's lifelong fascination with flowers: his inspirations, his garden, his designs and the hidden meanings behind the petals.

The Lament’ is considered to be Edward Burne-Jones most significant painting in the classical style of the late 1860s. Burne-Jones was a life-long friend of William Morris after the two met at Oxford University, he was a founding partner of Morris & Co. as well as an established painter working in the pre-Raphaelite style. Key stylistic features of this work can be seen in the chalky colours, simple outlines, and low relief of the figures. The work is washed in a mood of restrained sadness, characteristic of other paintings in 1866. If you enjoyed this art video lesson then have a look through our many fun and educational KS2 Twinkl Art Video Lessons. The machine-printed papers are placed at the end of one of the books or in a msall book by themselves. /

I'm going to repeat a pattern in horizontal rows across the paper. Red, yellow, blue, blue, yellow, red. Morris was prompted to design his own wallpapers because he could not find any that he liked well enough to use in his own home. He designed 'Trellis' shortly after moving to the Red House. The gardens at the Red House were arranged in a Medieval style, with roses growing over trellises which enclosed the flowerbeds. This wallpaper pattern was inspired by these trellises. The most famous William Morris quote is, “ Have nothing in your house that you do not know to be useful or believe to be beautiful.” KS2 Art Video Lessons are a brilliant way for children to stay engaged and active in their learning. They work just as well in the classroom as they do in a home learning environment. All his wallpapers contained stylised fruit, flowers and foliage motifs. These expressed his love of nature, but his first designs also reflect his interest in medieval sources at the time.

Cleverly curated seed collections nestled in neat, fertile coir bars, ready to grow. Just add water!

Charles Voysey was one of the Arts and Craft movement's most successful architects, as well as producing some of its most striking designs for furniture and other interior elements, including wallpaper and textiles. Elegant and quietly expressive, Voysey's work demonstrated the designer's strong belief in 'less is more'; his drawings for flat-surface design demonstrate the same restraint and interest in clear space that is evident in his furniture and other objects. Although Voysey wouldn't have accepted it himself – as a British practitioner of Arts and Crafts design he would have had little enthusiasm for such an exuberant, 'European' style – it is generally agreed that his dramatic large-scale florals laid the foundations for the development of Art Nouveau, particularly the work of Czech painter and decorative artist Alphonse Mucha.

To start, I think about and draw the shapes I want to print onto this piece of foam-board.We're using sharp scissors, so be careful or get an adult to help you. William Morris was remembered for being a highly skilled designer who could somehow turn the sprawling, tangled beauty of the English countryside into a form of pattern that was both clear but also beautiful. He had an inate love and devotion for this environment but was also a highly articulate artist who could carry his illustrations over into a number of different mediums. The qualities of his work have since inspired off-shoots of art movements across the world, and his reputation was certainly strong in the UK, but not restricted to this region. Many of his floral patterns have been reproduced from their date of conception all the way up to the present day and there remains a continued support for the Arts and Crafts Movement, a group in which his role was pivotal.

William Morris Textile Designs

In Britain, paper printed with patterns has been used for decorating walls since the 16th century. By the late 19th century wallpapers were widely used by all classes, in homes and also in public buildings. William Morris designed a number of wallpapers, all with repeating patterns based on natural forms. Each pattern is created with flowers or foliage as the central structure - nature seemed to provide Morris with the perfect sweeping shapes and soothing repetitions from which to draw his inspiration. He created his distinctive style by combining observational drawings of plants and flowers with his flair for stylised pattern-making. This flattening of natural forms and focus on pattern and shapes to give a pleasing overall design came from Morris’ interest in medieval tapestries and illuminated manuscripts, as well as illustrated books called herbals - 16th and 17th century culinary and medicinal guides to plants - which categorised flowers in recognisable but simplified detail. Morris was also influenced by pattern and dye techniques from international sources including India, Japan and the Middle East.

During the rallies Morris and his comrades attended, they carried banners to identify their political allegiance. In this banner, the image of Adam and Eve has been borrowed from Burne-Jones’s illustration to Morris’s socialist novel ‘A Dream of John Ball’. The novel followed the story of a priest who was one of the leaders of the Peasants’ Revolt in 1381. John Ball believed all people were created equal, asking "When Adam delved and Eve span, who was then the gentleman?" Having developed his own particular taste from a young age, he began to realize the only way he could have the beautiful home he wanted was if he designed every part of it himself. As he famously once said, “Have nothing in your houses that you do not know to be useful or believe to be beautiful.” If the earth nourish us all alike, if the sun shines for all of us alike, if to one and all of us the glorious drama of the earth - day and night, summer and winter - can be presented as a thing to understand and love...” William Morris, Useful Work versus Useless Toil, 1885Morris always insisted that the test of a successful design was that it provoked thoughts of something beyond itself. ‘I must have unmistakeable suggestions of gardens or fields in my patterns,’he wrote in his essay on Some hints of Pattern Designingin 1884. EmeryWalker's House, Hammersmith, London. Walker, an expert typographer, was a friend of Morris’s and his home was close to Kelmscott House. It is filled with Morris & Co designs From looking at William Morris’s patterns and designs, it’s obvious that he was inspired by nature. His textile patterns and wallpapers incorporate plants, fruits, flowers, and leaves. Very much like the art nouveau prints of Maurice Verneuil. By the 1880s, Morris’s designs had become even more stylised and he increasingly came to accept the mechanical nature of his pattern repeats. Many, like Wild Tulip(1884), also reflected his growing interest in weaving; they used the strong, diagonal, meandering stems that appeared in the 15th-century Italian silks and brocades that he studied at the South Kensington Museum (now the V&A). The Arts and Crafts movement reacted to the industrial revolution at the time. William Morris wanted people to have beautiful things in their homes to improve their quality of life. However, ironically most of his products were unaffordable to the everyman. This was mainly due to their laborious craftsmanship. Morris liked to use traditional methods and natural dyes with his designs.