Zurna is a musical instrument of Eurasian origin, just like the mey. When we look at history, it is known that it is usually played at weddings or holidays to add a festive atmosphere.

The Saz is the grandfather of the Greek Bouzouki. It's originated in Central Asia where Turks lived before their westward migration. Like the guitar in Spain and the bouzouki in Greece, the Saz is the most popular stringed instrument in Turkey. Although similar in shape to the Greek Bouzouki, the construction, size and sound of the Saz is different. You need a baglama saz to be able to play the microtones (Perde) of Arabic music. These instruments have traditional tied frets that are movable, and 3 courses of strings. Baglama There are two types of zurna playing, sitting and standing. There are seven holes in total on the zurna. The 6 of them are in the upper part, the remaining hole is in the lower section. The left hand of the person who will play the zurna should cover the holes in the top and the right hand the holes in the bottom. However, in both types of playing, it is important to know how to make the best use of the air in the lungs. The most important feature that should be known in all types of zurna is the correct closing of the holes during playing. The person who wants to play the zurna adjusts the sound output and timbre by opening and closing the holes on the instrument by blowing through the "sipsi" in the mouth. While playing the zurna, one should never stop breathing. The sound of the zurna comes out with tremors. In 1932, Uzeyir Hajibeyov created an orchestra consisted of Azerbaijani folk instruments. The first tar and kamancha concerts with symphony orchestra were arranged by Haji Khanmammadov. Nowadays, Farkhad Khudyev and Imamyar Hasanov are well-known Azerbaijani kamancha players. In 2013, Farkhad Khudyev performed concert for kamancha with the Youth Music Monterrey County Symphony Orchestra from California dedicated to the 25th anniversary of the Khamammadov’s Symphony Orchestra. [8] Reed instrument a folk oboe with a conical body made of wood or horn (ever buree = horn), widening towards the end. It has seven finger holes and one thumbhole. A metal staple carries the reed and a lip-disc in the shape of a funnel. The short form of the instrument is known as "haidi", meaning 'flute of the sea'.Kavals are divided into two main types as Dilli Kaval and Dilsiz Kaval and are generally made from the wood of the plum tree. Çigirtma And because of this long and interwoven history, Turkish musical instruments are part of a tradition that extends out of Turkish culture and into many of the surrounding cultures in the Middle East and Asia. zurna — is., Far. surnāy Keskin bir ses çıkaran ve çoğu zaman davulla veya dümbelekle birlikte çalınan nefesli çalgı Birleşik Sözler cura zurna çatlak zurna zilzurna Atasözü, Deyim ve Birleşik Fiiller zurna gibi zurnada peşrev olmaz, ne çıkarsa bahtına … Çağatay Osmanlı Sözlük Oldest Turkish records suruna in Codex Cumanicus(CCM fol. 45a) < Persian word that is combined of two parts: Oriental 'n' hypnotizing sounds in ZURNA will take you to the arabic dream world, so prepare yourself for that eargasm!

Tulum (bagpipe) is a Turkish folk instrument of the wind type. It consists of three parts with Deri Kismi (leather section), Nav and Agizlik (mouth piece). The air is stored in the leather section and is let into the nav section by pressing the bag under the arm. Nav is the part where the melody is played. It also has two parts called Analik and Dillik. Agizlik is the section which sends the air to the leather bag of the pipe. Azerbaijani traditional musical instruments are a family of ancient string, wind and percussion instruments used in the performance of Azerbaijani traditional music. [1] Types of instruments [ edit ]It requires high pressure to give any tone at all and when it does, it is almost constantly loud, high pitched, sharp, and piercing. Tulum is used in Turkey at Trabzon, Rize, Erzurum, Kars, Northern and Eastern Anatolian regions and in Thrace. Tulum, which is generally made from lamb or kid skin, is called Gayda in Thrace. Sipsi Baglama is the most commonly used string folk instrument in Turkey. It takes different names according to the regions and according to its size such as Baglama, Divan Sazi, Bozuk, Çögür, Kopuz Irizva, Cura, Tambura, etc. There are several types of zurnas. They all share one and the same sound inductor - the so called "kalem" - which is actually a very tight (and short) double reed, sometimes made out of wheat leaves. The longest (and lowest) is the Kaba zurna, used in northern Turkey and Bulgaria. As a rule of thumb, a zurna is conical and made of wood.

Art of Azerbaijani Ashiq - intangible heritage - Culture Sector - UNESCO". ich.unesco.org . Retrieved 2018-06-24. Sipsi which is a Turkish folk instrument of the wind type is made from bone, wood or reed. The reed ones are more common. It has a second smaller part at the end which is made of reed that produces the sound. This part is completely taken into the mouth and the air is blown. Cifte is a Turkish folk instrument of the wind type. It is made by tying two reed pipes side by side. Two small reed pieces which produce the sound are added to the ends of both reeds. These two small reeds are taken into the mouth cavity and it is played by blowing the air at the same time. Seven holes on the front, and one thumb hole, provide a range of over one octave including some transposition. [ citation needed]This instrument can be used across a variety of genres, whether it's cinematic, organic folk, experimental, ambient, meditation, electronica, and beyond! The only limit is your creative imagination… These so-called spoon dances are popular in many regions of Turkey, and they are most popular in the Anatolia and Mediterranean regions. Zurna is a widely used musical instrument in Turkey. The zurna consists of three parts: head, mouth, and middle. Today, there are metal zurna, wooden zurna, or zurna made of reed. The zurna has a much louder sound than other musical instruments. We usually see the zurna playing along with the drum. The zurna has three different types according to size and tone of voice. These varieties are also called coarse zurna, medium-coarse zurna, and zil zurna. Zurna can be produced from many tree species such as juniper, ash, dogwood, boxwood, willow, plum, mulberry, linden, and walnut. The length of the zurna should be at least 300 millimeters and at most 317 millimeters. A fork is attached to the head of his body. This tong is attached to edit the root register of the musical instrument. This abundance of rich musical history should come as no surprise considering how much history occurred on the lands of modern-day Turkey. This article or section should specify the language of its non-English content, using {{ lang}}, {{ transliteration}} for transliterated languages, and {{ IPA}} for phonetic transcriptions, with an appropriate ISO 639 code. Wikipedia's multilingual support templates may also be used. See why. ( June 2021)

Have you heard of the zurna? It's actually one of the oldest traditional wind instruments in Turkey, and it's super important for the mehter band. It's a really versatile instrument and can totally hold its own in a solo performance. The sound is pretty amazing too - it can be colourful, lively, pastoral, imposing, and emotional. You can get all sorts of sounds out of it, from sliding notes to short, sharp ones. The zurna is a big deal in military music too and has been around for many years. Even outside of official ceremonies, it's got a huge performance scene. You might hear it at a wedding in a small village in Anatolia, or at a party in a district of Istanbul. It's just one of those instruments that really fits in anywhere! Cigirtma is a Turkish folk instrument of the wind type. Cigirtma is made from the wing bone of the eagle. It is known to be used mostly by the shepherds and is an almost forgotten instrument today. It has a total of seven melody keys with six on the top and one underneath It is about 15-30 cm long. Mey The need for high pressure makes it suitable for playing without stop using circular breathing. A small pacifier-style disk that the lips may lean on helps the lip muscles that hold the high-pressure air, rest, and recover during long non-stop playing sessions.The combination of constant volume and non-stop playing makes the zurna unsuitable for emphasis of the rhythm. It has therefore been played almost invariably along with big drums that both provide the rhythm and the lower frequencies that travel further away than the zurna's loud, high pitched sound. Mehterhane preserved its existence changing continuously until the Janissary corps was abolished. According to its final form, each one was composed of nine davul-s, nine zurna-s, nine nakkare-s, nine cymbals and nine horns. This band was called Dokuz katlı mehterhane (mehterhane composed of instruments, each instrument’s number is nine). Mehter had many improvements in its music and performance parallel to its organization and establishment. Furthermore, renovations in the areas of art and culture influenced the music also. The studies and compositions of the music teachers of the palace in XVIIth century such as Hanende Recep Çelebi, Zurnazenbaşı İbrahim Ağa, Eyyubi Mehmet Çelebi, Solakzade Mehmed Hendemi (at the same time very famous historian) and III. Selim, the sultan and one of the great music masters of XVIIth century, had influence on the renovation of the mehter musikisi and the growing of the repertoire.