Kodak 6031330 Professional Ektar 100/36 Colour Negative Film

£9.625
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Kodak 6031330 Professional Ektar 100/36 Colour Negative Film

Kodak 6031330 Professional Ektar 100/36 Colour Negative Film

RRP: £19.25
Price: £9.625
£9.625 FREE Shipping

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If it was stored in a fridge for 10 years then yes it’s probably completely fine. You’d have to overexpose a stop or so if it was 20 years old. Final Word

What is exposure latitude? Exposure latitude is basically how much a picture can be under or overexposed and still be usable. So for instance, Portra 160 and Ektar 100 have very good exposure latitude, which means you’ll get more information from the shadows and highlights. Another downside to Kodak Ektar 100 is that this particular film has a much lower exposure latitude than comparable options. Obviously, the price varies from country to country but generally it’ll be slightly less than Portra 400 and about the same price as Portra 160. Is Ektar 100 Worth It?First off Portra 160 would be good for landscape photography, perhaps not as good as Ektar but it’s tones are more muted and editable than Ektars. I would shoot it for portraits, editorial, street photography (providing the correct lighting conditions), documentary photography, landscape and the list kind of goes on. Portra 400’s versatility makes it the Kodak film that I’d recommend for every situation. Its wide exposure latitude makes it suitable for the brightest daylight scenes and the darkest low-light scenes, as well as in super high contrast situation. The wide exposure latitude also provides a lot of room for over- and under-exposure, making it a particularly good film for cameras with slow shutter speeds or slow lenses. You can certainly increase the contrast when editing any type of film, but there is something unique-looking about the contrast that naturally occurs in photos taken on Kodak Ektar. They are sharp and punchy. PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. Another key characteristic of Kodak Ektar is the extremely saturated colors. Once again, it’s hard to find another C41 color film with more saturation than Ektar.

A new film was introduced in September 2008 under the name Kodak EKTAR 100, which claims to be the finest-grain color negative film with high saturation and vivid colors available on the market. The film was initially only offered in 35mm, but later the film offering was expanded to include 120 size film, then 4x5 and 8x10 sheet sizes in 2010. [1] [5] Finally, there’s a table outlining the technology used in the production of Ektar 100 and the benefits it brings to us, the people who shoot it. I’m far more concerned with the latter, but here’s a selection of the former:Second, I would imagine that it’s more efficient to produce a single sheet of film and cut it into a large variety of formats than to manufacture multiple film speeds on separate machines (as they did in 1989-1991). And so today we can have Ektar in 35mm, 120, 4x5, and 8x10. “World’s Finest Grain.” As you can see in the picture above, the close-up photo shows this super fine grain of Ektar 100. I’d say it’s even finer than Kodak Portra 160 which obviously makes sense since it’s a lower ISO. Our first film guide will cover Kodak, the most storied of the film companies still producing film. Kodak film offerings have thinned out in recent years, but their roster still includes some of the best and more versatile emulsions on the market. Here are our thoughts on the current lineup.

Kodak Portra 160 is exactly the same as Ektar, it comes in 35mm, 120mm and it also comes as sheet film for large format cameras which is 4×5 inch and 8×10 inch. Can You Shoot Ektar 100 Or Portra 160 Out-Of-Date? Though Tri-X can be processed to be a stellar low-light film, Kodak’s T-max P3200 is undoubtedly the company’s flagship super speed film. It’s actually an 800-1000 ISO film, but is made to be pushed for use in low-light. It has fast become a favorite of the CP staff owing to its super-speed and surprisingly strong exposure latitude and tonality.Since its introduction in 2008, Ektar has built a reputation as one of Kodak’s premier films. It’s the emulsion that promised to fill the void that the world-famous Kodachrome left in the company’s catalog when it was discontinued. Like Kodachrome, Ektar is slow (ISO 100), fine grained, and has a much sought-after vibrancy in its color palette. But unlike Kodachrome, Ektar is a C-41 color negative film, enabling it to be processed by any film processing lab. There’s a reason Portra is just two letters different to portrait and Ektar isn’t. Unless you want those red faces, go with the former. The orange flowers are a good example of Ektar’s colour rendition. Especially when you consider I was losing daylight by the time I shot that, hence why I was looking for something to shoot with a wider aperture. The original Ektar recipe isn’t an exact match to the film, and I believe that this new recipe is closer. The two recipes each produce a different look, and perhaps they both have a place, depending on what exact aesthetic you are after. This new recipe was a collaborative effort, and I want to give a special “thank you” to Thomas Schwab for all of the time and effort he put into making this a reality. It’s much appreciated! The red skin tones for light skin are probably down to the fact that Ektar 100 wasn’t really made with portrait photography in mind. If you’re trying to saturate certain parts of a landscape then you’re not really considering these things. How Much Is Kodak Ektar 100?

Obviously, skin tones cover a broad spectrum. When it comes to Ektar 100 shooting people with light skin tones is a no no, generally, it’ll send those tones quite red. If a single roll of film usually accompanies you to a variety of locations/lighting situations, Ektar might not be the best choice. We usually reserve shooting Ektar for times when we know we’ll be exclusively shooting outside in bright light and won’t have trouble getting a good exposure. If you don’t think there’s enough light to fully expose your ISO 100 film, Ektar is better to be left at home. Or pushed in development. If you know how to use this film well, it will create lovely results. This premium emulsion is designed to develop sharp, virtually grainless images with lots of contrast and saturation .Kodak Ektar is a daylight balanced colour negative film that’s available in 35mm, 120, and sheet formats, in ISO 100 only. It’s developed using the common C-41 process. The magnitude of Kodak successfully rereleasing a film like Ektachrome is huge. It’s also a milestone that, frankly, many of us never thought possible. We’d been through this before with other film projects. Big promises on social media to #keepfilmalive, the flashy promotional campaign, the buzzworded crowdfunding, and the whole load of nothing that happens afterwards. For more than a year we heard just a few intermittent reports that Ektachrome was still coming. And now, proving our fears wrong, it’s finally here. If you were comparing Kodak Ektar 100 vs Portra 160, Portra is the winner by a mile for exposure latitude. You can overexpose by multiple stops and still get great looking negatives. Some people even purposefully overexpose Portra because they like the way it looks.



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