A few people also compared it favorably to mics way out of its price range. A few examples: Shure SM7, AKG C414, and the Neumann TLM 193. But overall this condenser microphone sounds great and is an excellent option for those on a budget. Where is it most effective? Perhaps the best feature of the AKG P420 large-diaphragm condenser mic is its switchable polar patterns. Unlike most condensers at its price point that only offer one polar pattern, with the P420 you can change it based on the sound source you are recording. This makes it versatile well beyond recording vocals. It’s extremely difficult to come up with a Final Word here. So I’ll pose the question: What are you trying to record? A good microphone for live vocals is the essential thing in a studio. While all sounds are essential, it’s easier to argue with that statement if vocals are your only option.

Samson C01 Chính hãng nhập khẩu - BKIN.VN Micro thu âm Samson C01 Chính hãng nhập khẩu - BKIN.VN

After reading through this comprehensive guide on rap vocal mics, you should hopefully have a good idea of what you need in a vocal mic for it to be the best microphone for rapping. Coming to the quality of construction, I found the C214 to be pretty sturdy. You'll find highly robust materials all around. The integrated capsule suspension is one example of this.

I feel the low-cut filter is best not used for vocal recording, as it noticeably affects the bottom end of the vocal range. It could be useful when using the mic as a drum overhead, though, as it often helps to roll off the bass when mixing the sound in with the predominantly middly and bassy close mics. The majority of condenser vocal microphones have a cardioid polar pattern. This is a reliable choice because cardioid capsules are great for focusing on the sound source that is positioned directly in front of them.

Samson C01 Large Diaphragm Condenser Microphone

The first condenser mic stands out in a world filled with great models. The Samson C01 is the most popular and excellent condenser microphone. It’s not easy to say that this fantastic product is being discussed. However, finding a better-reviewed microphone at such a low price is still possible. A great mic should be well-built to suit a wide range of uses. The mic can be used in any environment, so it must be capable of handling that. I've had a few friends, who had only used established mics like the Rode NT1-A by that point, ask me what exactly did I change in my setup which improved the quality of recording that much. They couldn't believe that it was nothing but just the addition the Aston Origin to my arsenal. The Samson C03 is a smart-looking mic with multi-pattern performance at a budget price. Its technical spec is more than adequate in all the areas that are important, and what really matters is that it makes a fine job of just about anything you care to point it at. A switch on the rear of the mic allows selection between supercardioid, omni, and figure-of-eight polar patterns. Photo: Mark Ewing

Although the majority of microphones that are well suited to recording rapping are of the condenser variety, the SM7B is dynamic. Its unique cardioid polar pattern allows it to perform like a condenser, with the ruggedness of a dynamic vocal mic. The frequency response of the mic shows a gentle drop-off below 80Hz, plus a gentle presence/air boost centred around 10kHz. The response is quoted at 40Hz to 18kHz (the graph indicates that levels are down by around 6dB at these points), which is more like the Rode NT1 than the models mentioned earlier. Sensitivity is quoted at 33dB/Pa and, in practice, this was comparable with the other capacitor mics I tested it against and, indeed, a little higher than some. The maximum SPL handling is 136dB, which simply means loud sounds won't upset it. In Use In my experience, it took a bit of EQ'ing to get rap vocals to sound perfect. It's suitable for both male and female rap vocals. It works great for capturing crisp, yet harsh rap vocals, but isn't the best for recording smoother, deeper RnB vocals. The frequency response of the TLM 102 is ideal for recording rap vocals. I found that it focuses on the expression of the performer’s vocal style quite successfully. For such a high-quality mic, it is also surprisingly compact. Regardless of the pitch and timbre of your rap vocals, the SM7B will suffice. When the low cut is activated, it highlights the mid-range and treble frequencies of rap vocals. When the presence booster is engaged, it works seamlessly with high-end sound sources.

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A younger sibling of the legendary AKG C414, the C214 builds upon its predecessor’s qualities and presents them in a more affordable format. The components used are very similar to the revered C414, with some slight adjustments which make it ideal for rappers.It's a fairly capable mic for the money. The sound captured by the Origin is open, warm, and rich with harmonics. No matter what style of rap vocals you want to record, this pristine condenser mic will most likely do the job well enough. Despite the treble-heavy nature of this mic, it doesn’t sound harsh at all. A few people are talking about the proximity effect, which should be discussed a bit further. At 4″, the mic is exceptionally sharp, but at around 6″ it starts to drop off considerably. At 8″? Pretty muffled. So in essence, you really get what you pay for here. It’s definitely a decent mic, but its issues are typical of gear in this price range. Read a review that said he had the C1 for 4 years before it crapped out. Another review (the video one from above), had his for 1 1/2 years before deciding to upgrade.

Samson C01 Condenser Microphone - Merchant City Music

Apart from capturing vocals, as a low-budget mic, you can use it for streaming (Twitch, anyone?), podcasting or just as an all-purpose crystal clear mic for meetings and video calls. Different rappers have varying vocal ranges. Some may predominantly rap in the lower registers, while others may prefer to rap at a higher pitch. Generally speaking, the human voice doesn’t go beyond the parameters of 20Hz – 20 kHz. I used this mic for the first time at a professional studio while recording the first EP of our band. That was quite a few years ago, so it felt incredible as soon as I heard the quality of my recorded vocals, as I was mainly used to SM57's and SM58's prior to that recording session. With dual tone controls, the SM7B can be tailored to suit any vocal style. It features a switchable passive EQ for instantly cutting out low frequencies, boosting the overall presence and mid-range.The only real disadvantage when using this mic is its supremely high sensitivity. While it's beneficial for capturing even the slightest of nuances in your rapping, it's also extremely inconvenient unless you have a properly soundproofed recording room. The quality is great, I would compare it to a lot of the others on this list. The resolution rate is 24-bit/96kHz, which is the professional standard, and it offers a flawless wide-range frequency response of 20Hz to 20kHz. This is a great microphone that comes in around 100 on average. You wouldn’t be disappointed with it. The Samson Audio has been a great studio mic. It can produce good results on stage, but it is best when used in the studio.