Some users confuse it with distortion. However, please remember that while overdrive helps produce a clean, tuned sound, the distortion pedal gives rise to an aggressive sound which affects the tone adversely. This is what makes a fuzz tone reasonably hard to hear when playing in an intense band mix, but you can notice the saturation. Boss OD-3- The Natural Overdrive Boss OD-3 History The mods here turn this into more of lead style gain machine really. I like the Gain up quite high - and then I can punch in an even more saturated Boost on top of that! If you don’t set the two gain circuits diligently it can almost sound as if there is no change when you apply the boost - it typically works best with the 2 Boost controls maxed - and then your default level is set to your preferred starting settings.

While some features can be overlooked, others are what define your instrument and help it make its characteristic tune. Let’s take a look at one of these features- the overdrive. AC adaptor (PSA series: sold separately) Current Draw 15 mA Expected battery life under continuous use Carbon: Approx. 34.5 hours Nigh on endless sustain is also provided by the Boss OD-3 OverDrive pedal so your tone really sings. Great for All Styles

The Boss SD-1 Overdrive also contributes to the guitar’s sound and gives a crunch sound with open chords. What is it & what does it do? At it’s heart, the OD3 is what I consider a traditional overdrive, it takes your guitar signal & amplifies to the point of clipping & then clips the signal even further with it’s clipping diodes (depending on the gain setting & your playing dynamics). The selection of clipping diodes allow for a very even transition of the gain control from low, to high. This results in a great pedal to really work your guitar’s volume control, taking it from a dirty boost to a tight overdrive sound. The frequency response is reasonably smooth in the guitar’s natural frequencies & therefore the tone control can be tailored to a good range of guitars & their tonal characteristics.

This means the fundamental characteristics of the Boss SD-1 Overdrive are slightly different than the typical overdrive pedals. The Boss OD-3 worked out excellently for the guitarists, as even the conservative players who would not switch their BD-2 Blues Driver found the Boss OD-3 as a good alternative. Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls DRIVE knob

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The Boss OD-3 OverDrive pedal gives you smooth, natural overdrive and nearly endless sustain. Expanding on the Original Overdrive Pedal At first glance, the Boss OD-3 OverDrive effects unit is just one more in the company’s wide range of distortion/overdrive pedals. It’s reasonably priced, it’s got the Boss brand name, and it’s a fresh iteration on an old classic. That’s a great starting point, but it doesn’t bring anything new to the table. After all, the Boss overdrive family is so large at this point, that one has to question whether or not this pedal can really hold its own alongside its predecessors. Bear in mind that Boss’s current lineup features such classics as the Blues Driver, the Super OverDrive and, of course, the now legendary OD-1– the first-ever overdrive pedal. What Makes the OD-3 Different? It brings increased dynamics to the table that sound bigger and smoother than any Boss overdrive pedal used before. The Boss OD-3, short for overdrive 3, is an overdrive known for its almost characteristic natural sound with an endless sustain. It is built keeping in mind the traditional Boss overdrives, so it has most of the classic features. Before getting into the details, it is essential to know what a guitar overdrive is. It is a machinal device that adds grit to the signal sent to the guitar, bringing about a sound similar to an amplifier at the breakup of an edge.