Candida Doyle – Farfisa Compact Professional II organ, Stylophone 350S, Korg Trident II, Fender Rhodes piano, Wurlitzer piano, Hohner clavinette, Steinway grand piano

The CD edition of the album included a new remixed version of the song “Babies”, the original version of which was previously released as a single in 1992. Messbarger, Matt (1 December 1994). "Pulp: His 'N' Hers (Island)". Chicago Tribune . Retrieved 2 May 2016. The 2016 Universal repress sound almost identical to the 2012 MOV release (I suspect they used the same master), unfortunately "Babies" is omitted on this release for some reason (Perhaps they wanted to replicate the '94 pressing). I'd only recommend this issue if you cannot afford the '94 pressing (I wouldn't blame you) or if you do not mind the omission of "Babies." The sleeve art is over saturated and nowhere near as crisp as the art on the '94 original. Larkin, Colin (2011). "Pulp". The Encyclopedia of Popular Music (5th conciseed.). Omnibus Press. ISBN 978-0-85712-595-8.Lyrically, the album encompasses subjects for which Pulp were to become well known, including sexual encounters, social class and voyeurism. [4]

Williams, Simon (16 April 1994). "Pulp – His'N'Hers". NME. Archived from the original on 13 October 2000 . Retrieved 2 May 2016. The album was preceded with two singles: " Lipgloss" and " Do You Remember the First Time?". The new mix of " Babies" was also released as a single as part of the Sisters EP. Andy Gill (4 May 1995). "POP / The last detail: It was a special night for Pulp, playing at home with their first single in the Top 10. Andy Gill was there". The Independent . Retrieved 5 February 2018. Robyn Strachan (3 August 2014). "Resentment in Retrospective: Pulp's 'His 'n' Hers', 20 Years On". HuffPost . Retrieved 5 February 2018. His ‘n’ Hers has endured because it’s a record that sounded out of time even when it arrived. Made by people who looked like their outfits had been acquired at an Oxfam closing down sale, produced by Ed Buller – who the same year, would bring his ethereal touch to Suede’s excellent Dog Man Star – it’s a record that manages to sound completely in thrall to the great pop of the past – Roxy, Bowie, Human League, Scott Walker, Serge Gainsbourg – while also quite unlike anything that had been heard until that point and nothinglike anything that’s followed since. Sorry Long Blondes, you were good, but…Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Robyn Strachan retrospectively describes the opener "Joyriders" as setting the tone for the album with "acerbic observation and lurking seediness and decay". [5]