Leben [ Bearbeiten | Quelltext bearbeiten ] Puschkins Stammbaum zum Reichsgründer Rjurik Ehemaliges Wohnhaus Puschkins auf dem alten Arbat in Moskau. Heute beherbergt es ein Museum Pushkin’s father came of an old boyar family; his mother was a granddaughter of Abram Hannibal, who, according to family tradition, was an Abyssinian princeling bought as a slave at Constantinople (Istanbul) and adopted by Peter the Great, whose comrade in arms he became. Pushkin immortalized him in an unfinished historical novel, Arap Petra Velikogo (1827; The Negro of Peter the Great). Like many aristocratic families in early 19th-century Russia, Pushkin’s parents adopted French culture, and he and his brother and sister learned to talk and to read in French. They were left much to the care of their maternal grandmother, who told Aleksandr, especially, stories of his ancestors in Russian. From Arina Rodionovna Yakovleva, his old nurse, a freed serf (immortalized as Tatyana’s nurse in Yevgeny Onegin), he heard Russian folktales. During summers at his grandmother’s estate near Moscow he talked to the peasants and spent hours alone, living in the dream world of a precocious, imaginative child. He read widely in his father’s library and gained stimulus from the literary guests who came to the house. Schmadel, Lutz D. (2003). Dictionary of Minor Planet Names (5thed.). New York: Springer Verlag. p.179. ISBN 3-540-00238-3. Following the 2022 Russian invasion of Ukraine monuments dedicated to Pushkin in Ukraine were demolished and Pushkin streets were renamed. [53] [54] [55] [56] [57]

Hopton, Richard (1 January 2011). Pistols at Dawn: A History of Duelling. Little, Brown Book Group Limited. pp.85–87. ISBN 978-0-7499-2996-1. Der Idiot Nikolka tritt ein, eine Eisenkappe auf dem Kopf, mit Ketten behängt und von Gassenjungen umringt.Pushkin wrote " The Queen of Spades", a short story frequently anthologized in English translation. Bilinguen: Werke von Alexander Puschkin in verschiedenen Sprachen (russisch, deutsch usw.) – zweisprachige Texte Um die gleiche Zeit begann ihn die Gestalt Peters des Großen zu interessieren, die er in den klingenden vierfüßigen Jamben der

In Mikhaylovskoye, in 1825, Pushkin wrote the poem To***. It is generally believed that he dedicated this poem to Anna Kern, but there are other opinions. Poet Mikhail Dudin believed that the poem was dedicated to the serf Olga Kalashnikova. [22] Pushkinist Kira Victorova believed that the poem was dedicated to the Empress Elizaveta Alekseyevna. [23] Vadim Nikolayev argued that the idea about the Empress was marginal and refused to discuss it, while trying to prove that poem had been dedicated to Tatyana Larina, the heroine of Eugene Onegin. [22] Idiot ihm nachrufend. Nein, nein! Man kann nicht beten für den Zaren Herodes: die Mutter Gottes will es nicht haben. Rise [ edit ] Pushkin recites his poem before Gavrila Derzhavin during an exam in the Tsarskoye Selo Lyceum on 8 January 1815. Painting by Ilya Repin (1911) Pushkin's married lover Anna Petrovna Kern, for whom he probably wrote the most famous love poem in RussianMargeret. Ventre-saint-gris! Je ne bouge plus d'un pas – puisque le vin est tiré, il faut le boire. Qu'en dites-vous, mein Herr? Kolzow (1809 bis 1842). Ohne eine richtige Bildung genossen zu haben, ohne eine fremde Sprache zu kennen, war er geborener Lyriker reinsten Wassers, und seine Begabung brach sich trotz der denkbar ungünstigen Verhältnisse, in denen er lebte, dennoch Bahn. In Geschäften seines Vaters kam er einige Male nach Moskau und Petersburg und lernte Bjelinskij und Shukowskij kennen, die sich des Dichters aus dem Volke annahmen. Im Jahre 1836 trat er in persönliche Beziehungen Wirtin. Weit ist es nicht, man könnte bis zum Abend dort sein, wenn nicht des Zaren Schlagbäume wären und die Wachtposten.

Wolfgang Kissel: Der Kult des toten Dichters und die russische Moderne. Puskin – Blok – Majakovskij. Böhlau, Köln u.a. 2004, ISBN 3-412-16503-4 (Bausteine zur slavischen Philologie und Kulturgeschichte. Reihe A. Slavistische Forschungen. N.F. 45)As Pushkin's Foreword makes clear, he had read a number of sympathetic treatments of Ivan Mazepa and was seeking to respond to them. He was responding both to Byron's Mazeppa and to a poem Voinarovskii by the Russian Decembrist poet Kondraty Ryleyev which praises Mazepa. [4] Analysis [ edit ] Montenegrin poet and ruler Petar II Petrović-Njegoš included in his 1846 poetry collection Ogledalo srpsko (The Serbian Mirror) a poetic ode to Pushkin, titled Sjeni Aleksandra Puškina. Elisabeth Vyslonzil (Hrsg.): Alexander S. Puschkin und das europäische Geistes- und Kulturleben. Peter Lang, Frankfurt am Main u.a. 2003. ISBN 3-631-38170-0.

Lied des Präsidenten, das in seiner geradezu dämonischen Schönheit fast alles übertrifft, was Puschkin geschaffen hat: Pushkin is usually credited with developing Russian literature. He is seen as having originated the highly nuanced level of language which characterizes Russian literature after him, and he is also credited with substantially augmenting the Russian lexicon. Whenever he found gaps in the Russian vocabulary, he devised calques. His rich vocabulary and highly-sensitive style are the foundation for modern Russian literature. His accomplishments set new records for development of the Russian language and culture. He became the father of Russian literature in the 19th century, marking the highest achievements of the 18th century and the beginning of literary process of the 19th century. He introduced Russia to all the European literary genres as well as a great number of West European writers. He brought natural speech and foreign influences to create modern poetic Russian. Though his life was brief, he left examples of nearly every literary genre of his day: lyric poetry, narrative poetry, the novel, the short story, the drama, the critical essay and even the personal letter.Die Zigeuner, die zwar sämtlich noch Byronsche Einflüsse verraten, aber auch den eigentlichen Puschkin in seinem wahren Glanz zeigen. Dostojewski gab den Aus dem Russ. übers. und hrsg. von Peter Urban. Berlin: Friedenauer Presse 1998. ISBN 3-932109-09-0 Vertonungen [ Bearbeiten | Quelltext bearbeiten ]