PO-12 Rhythm - a basic drum machine with 16 sounds and 16 effects. Two of the sounds are melodic, and can be sequenced in scales. [7] It has a maximum multitimbrality of six parts at a time. Its design is of a sewing machine. [3] to receive via microphone: press record + sound to enter receive mode. place mic on receiving unit close to computer speaker and press destination button in microtonic to start the transfer. I’d say that the 33 is more about beats and stretching them in ways you never imagined. You can create entire tunes, but with less raw melodic ingredients you’ll probably find yourself creating rhythmic patterns rather than overtly melodic ones. this device must accept any interference received, including interference that may cause undesired operation.

Taking us a little by surprise the PO-30 Series was initially just a single unit – the PO-32, probably my favourite of the lot so far. This one paired up with the excellent Microtonic drum software, with hardware and software able to swap presets. In use it becomes almost a hardware version of that software – the first of a kind for any hardware, and a device that reverses the recent trend in music technology circles where a lot of classic hardware has been recreated in software.tweak a sound in microtonic (knob A on PO­-35 speak represents pitch, knob B represents morph) and press [the TE logo] on the interface to prepare for transfer. For our money, however, Speak is the standout of these two new POs (and possibly the whole range, to date). Created with Sonic Charge’s Magnus Lidström, who also developed the PO-32 Tonic, Speak is a vocal synth that lets users sample short chunks of audio and process these via one of eight ‘voices’.

you can replace drum sounds on PO-­35 speak using microtonic standalone version or the vst/au plug­in in any daw of choice. if customer has failed to notify teenage engineering of any defect where the defect should have been reasonably apparent on inspection; orYou can apply one of the 8 included voice characteristics (these are the synthesis algorithms) to the audio you’ve recorded. These alter the sound of your voice or an audio sample, such as autotuning your voice or making you sound like a robot. The PO-35 Speak is avocal synthesizer and sequencer with built-in microphone for 8 different voice character sampling. Synthesizers, samplers, and drum machines excel at different tasks. Select the specialty suited to your musical needs. press and hold pattern and select which patterns 1-16 to chain by pressing the corresponding key 1-16. up to 64 patterns can be chained. one pattern can be selected multiple times.

Recording is as easy as you like. Just hold the Record button and any of the number keys 1–16 and what you record becomes the sound in that slot to be used in a pattern. For example, I used all of my creative resources to make my first recording, the word ‘one’ which I stored in location ‘1’. plays pattern 1 three times then moves on to pattern 4. after the last pattern is played the sequence will start over again. Sounds from an office atmosphere are literally sampled in The Office. We’re talking about floppy disks, keyboards, and everything else. Its sophisticated sequencer also lets you to add more drum and synth sounds to create unique, organic-sounding patterns. There are a total of 16 sounds, 128 patterns (including chaining), 16 built-in effects, and a unique solo feature. Again, it’s in the name. The Speak is a synthesizer aimed at creating weird and wonderful vocal sounds. Sample your vocals (using the built-in microphone), and apply 1 of 8 vocal styles, plus 1 of 8 built-in effects and let the weirdness flow. It’s also got built-in transpose and scale features for tune making, as well as that cheeky micro drum kit that can be tweaked on the fly. Press the write button (bottom right) to enable/disable entering notes into the sequencer. You’ll see a record enable icon on the screen when write mode is turned on. Notes can be entered while stopped, or on the fly while playing the sequencer.

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Basic operation of the PO-33 and PO-35 will be familiar if you’ve used any of the previous models, but otherwise takes a little getting used to. You work with one sound slot at a time, chosen by holding the Sound button and tapping one of the 16 number buttons. You can then either play it freeform using the number buttons as note/slice triggers, or you can step sequence it by entering Write mode and adding triggers within the 16-step sequence using the same buttons. Real-time pattern recording is also possible by holding down the Write button while tapping out notes. If you want vocals, then that is where the PO-35 speak comes in. This one is, as you’d expect, exactly the same in terms of architecture and it also has sampling. This time, however, you get a whopping 120 seconds in total with a maximum of eight seconds per sample.