Es hat sich damit einen Status verdient wie kein zweites Mikrofon und macht auch heute noch eine gute Figur. Allerdings hört man dem SM58 das Alter schon an und genau dort kommt das Beta 58A ins Spiel. Wo dem SM58 Brillianz und Feinheit fehlen kann das Beta 58A punkten. Ich hatte schon vor dem Kauf geahnt, dass die Klangqualität dem SM58 überlegen sei, aber als ich den ersten Vergleichstest durchgeführt habe, war ich absolut begeistert.

Unidirectional microphones such as the BETA 58A progressively boost bass frequencies by 6 to 10 dB at 100 Hz when the microphone is at a distance of about 6 mm (1/4 in.) from the sound source. This phenomenon, known as the proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low-frequency sound during close-up use, the BETA 58A bass response gradually rolls off. This provides greater control and helps the user takes advantage of the proximity effect. Application and PlacementIn the tradition of the SM58, the dynamic Beta 58A has become the first choice among singers and professional sound engineers.

The major difference and one of the ultimate factors when it comes to choosing between the Shure Beta 58A and the SM58 is the polar pattern. Ideally the microphone will be chosen to compliment the vocalists unique characteristics. An overly bright or high pitched voice will benefit from a warm mic. And a dark voice might need some of the extra sparkle of a bright mic. The Beta 58A and the SM58 are both rugged and durable vocal mics designed for live performance. But although they might look very similar, they sound quite different.

But who wants a bright mic? Surely the holy grail in sound recording is a warm sound? It depends on the voice behind the mic. Also avaialble are optional Shure SB903 Li-ion rechargeable batteries and charging accessories which give you the same great performance length. Easy To Set Up

Both the Shure SM58 and Shure Beta 58A are excellent microphones that offer high-quality sound and rugged construction. If you’re looking for a classic microphone that’s been around for decades and is trusted by producers and musicians around the globe, the SM58 is a great choice. On the other hand, if you’re looking for a microphone with slightly more advanced features and a brighter sound, the Shure Beta 58A might just be for you. Like Shure’s other dynamic vocal mics, the Beta 58A has a clean minimal design. The only distinguishing difference between the 58A and an SM series mic is an attractive blue ring and the subtle blue hue of the body. Nun hatte ich aber zunächst einmal Zweifel, ob die grössere "Brillianz" wirklich von Vorteil ist, zumal ein mit Equipment und Sound erfahrener Musikerkollege beim Blindtest mit Sprechen und Acapella Gesang klar feststellte, dass das SM 58 meine Stimme authentischer wiedergibt, also "wie ohne Mikrofon", während das Beta 58 mehr "nach durch ein Mikrofon gesungen" klingt. Also in Shure’s Beta range is the Beta 57A dynamic vocal mic. This is the same mic as the Beta 58A in nearly all respects. The only difference, apart from the label, is the shape of the grille.

The most famous of the Shure vocal mics is the SM58, but there’s a whole range of them out there, each with their own unique characteristics. One of these is the Shure Beta SM58A, used by Kurt Cobain, David Bowie and Noel Gallagher, amongst many others. The Shure Beta 58A and Sennheiser E945 are very similar microphones. As well as being dynamic vocal microphones for live performance, they both have: The Cat Empire use the following Shure Products". Shure endorsee. JANDS . Retrieved October 3, 2011. The BETA 58A is designed for close-up vocals and can be handheld or mounted on a stand. Some of the most common applications and placement techniques are as follow. Lips less than 15 cm (6 in.) away or touching the windscreen, on-axis to the microphone will produce a robust sound, emphasized bass, maximum isolation from other sources. 15 to 60 cm (6 in. to 2 ft.) away from the mouth, just above nose height will produce a natural sound with reduced bass. 20 to 60 cm (8 in. to 2 ft.) away from the mouth, slightly off to one side offers a natural sound, reduced bass and minimal “s” sounds. 90 cm to 1.8 m (3 to 6 ft.) away will result in thinner, distant sounds with noticeable levels of ambient noise. The Shure QLXD2 offers the choice of interchangeable Shure SM86, Beta 58A, Beta 87A, and SM58 capsules, which provides you with amazing flexibility. The SM86's condenser design brings studio-quality to quiet, nuanced performances. The Beta 58A capsule's supercardioid design excels at keeping outside sounds at bay in a noisy environment. The Beta 87A combines condenser and supercardioid designs for studio-quality sound with maximum isolation. And the SM58 - well, it's the most popular vocal microphone on the face of the planet! One-touch sync function provides easy set up

Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect

A Great Microphone for Live Vocals

Whether you're presenting or entertaining, to fully capture your audience you need high quality, uninterrupted performance. The Shure SM58 and Shure Beta 58A are both reasonably priced for the quality they offer. However, the Beta 58A is slightly more expensive than the SM58. Mehr als 40 Jahren war das Shure SM58, das Vorgängermodell des Beta 58A, wohl tonangebend auf den Bühnen dieser Welt. Overall, the 58A is a superb choice for audio professionals looking to perform live or include it in their studio. Professional Sound Reinforcement In the tradition of the SM58, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.