Hopkins, Andrea (15 February 2014). "Sir Gawain and the Green Knight". Daily Info, Oxford . Retrieved 18 February 2014.

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In contrast, others argue that the poem focuses mostly on the opinions, actions, and abilities of men. For example, on the surface, it appears that Bertilak's wife is a strong leading character. [85] By adopting the masculine role, she appears to be an empowered individual, particularly in the bedroom scene. This is not entirely the case, however. While the Lady is being forward and outgoing, Gawain's feelings and emotions are the focus of the story, and Gawain stands to gain or lose the most. [86] The Lady "makes the first move", so to speak, but Gawain decides what is to become of those actions. He, therefore, is in charge of the situation and even the relationship. [86]KA Knight is a bestselling paranormal romance author that was born and bred in a small little town in England. For the longest time she has dreamed of characters that have the ability to love several people in crazy creative stories. Though the real name of the " Gawain Poet" (or poets) is unknown, some inferences about them can be drawn from an informed reading of their works. The manuscript of Gawain is known in academic circles as Cotton Nero A.x., following a naming system used by one of its owners, the 16th century Sir Robert Bruce Cotton, a collector of Medieval English texts. [4] Before the Gawain manuscript came into Cotton's possession, it was in the library of Henry Savile in Yorkshire. [5] Little is known about its previous ownership, and until 1824, when the manuscript was introduced to the academic community in a second edition of Thomas Warton's History, edited by Richard Price, it was almost entirely unknown. Even then, the Gawain poem was not published in its entirety until 1839, which is when it was given its present title. [6] [7] Now held in the British Library, it has been dated to the late 14th century, meaning the poet was a contemporary of Geoffrey Chaucer, author of The Canterbury Tales, though it is unlikely that they ever met, and the Gawain poet's English is considerably different from Chaucer's. [8] The three other works found in the same manuscript as Gawain (commonly known as Pearl, Patience, and Cleanness or Purity) are often considered to be written by the same author. However, the manuscript containing these poems was transcribed by a copyist and not by the original poet. Although nothing explicitly suggests that all four poems are by the same poet, comparative analysis of dialect, verse form, and diction have pointed towards single authorship. [9]

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a b Goldhurst, William (November 1958). "The Green and the Gold: The Major Theme of Gawain and the Green Knight". College English. 20 (2): 61–65. doi: 10.2307/372161. JSTOR 372161. England’s consummate warrior-king’, Richard I, the Lionheart. Photograph: Time Life Pictures/Getty Images 5. Life of St Louis by John of Joinville Goldhurst, William (November 1958). "The Green and the Gold: The Major Theme of Gawain and the Green Knight". College English. 20 (2): 61–65. doi: 10.2307/372161. JSTOR 372161.Similar stories [ edit ] The legendary Irish figure Cúchulainn faced a trial similar to Gawain's ( Cúchulain Slays the Hound of Culain by Stephen Reid, 1904). More than 1,000 years ago, audiences were transfixed by the stirring tale of Beowulf’s battle with the monster Grendel, and the story - replete with magical swords, an evil witch and even a dragon - retains its power to this day. In strict terms, Beowulf was not a knight, but rather a Scandinavian warrior, immortalised in an epic Old English poem composed in the early middle ages (but perhaps not written down until the eighth century). JRR Tolkien was one of the work’s greatest (and most influential) fans. 2. The Quest for El Cid by Richard Fletcher Reichardt, Paul F. (1984). "Gawain and the Image of the Wound". Publications of the Modern Language Association of America. 99 (2): 154–61. doi: 10.2307/462158. ISSN 0030-8129. JSTOR 462158. S2CID 163648039. Berger, Sidney E. (1985). "Gawain's Departure from the Peregrinatio". Essays in Medieval Studies. Morgantown: West Virginia University Press. 2: 86–105.